deep house

Shortly after Mark befriended Derrick Carter in 1988 at a record store in Chicago, his passion for House music, and sharing it with the world, exploded. Mark experimented with a deeper style, dropping De La Soul, disco classics and other stuff that wasn’t being played in the main rooms of nightclubs. While exploring his love for the purist forms of House Music, Mark developed his trademark style: Mushroom Jazz; acid jazz infused with the West Coast’s jazzy, organic productions combined with urban beats.

Danilo Plessow is a hard man to pigeonhole. Since 2003, he's been producing broken beat and jazzier material with Joachim Tobias under the Inverse Cinematics banner. Their debut full-length Passin' Through was released this year, but there's another reason why people have been talking about Plessow in 2008. He's the man that's responsible for the Motor City Drum Ensemble project, producing music which seems to encapsulate the spirit of Detroit despite being made in Stuttgart - a place that - next to Wolfsburg - is considered Germany's own 'motor city'.

"Cool" uncles have always gotten kids into all kinds of wonderful mischief, but 22-year-old Peter O'Grady from London , better known as Joy Orbison, was especially blessed—he credits uncle Ray Keith with introducing him to jungle and U.K. garage long before he could ever hit the clubs. At the age of 13 he took up DJing and eventually moved into production, beginning with Fruity Loops-crafted 8-bar grime loops before shifting into headier territory that combined his love of house, disco, and dubstep with the atmospheric fuzz of bands like My Bloody Valentine, Josef K, and The Beach Boys.

Growing up in a log cabin in rural Vermont, Morgan Page began composing electronic-oriented music at the age of 14. By 15, his work appeared on local college radio and commercial stations in his hometown of Burlington, and began to spread to other cities. Towards the end of high school, Morgan got his own radio show at The University of Vermont, filling in for a friend on a popular Saturday night slot. This turned into a weekly endeavor that introduced Morgan to the vast assortment of electronic music that came by the boxload every week.