Moxie Delite
Wonderfully weird and delightfully disgusting, Moxie is constantly pushing ideas of masculinity, sexuality and drag. He wows his audiences with his quirky, expressionist spin on performance and aesthetics!
Wonderfully weird and delightfully disgusting, Moxie is constantly pushing ideas of masculinity, sexuality and drag. He wows his audiences with his quirky, expressionist spin on performance and aesthetics!
Peter O'Doherty (born 23 March 1958) is a New Zealand-born Australian musician and visual artist. He is a founder of Australian pop band, Dog Trumpet, in 1991 on guitar and vocals, alongside his older brother, Chris O'Doherty (p.k.a. Reg Mombassa) on guitar, keyboards, harmonica and vocals. They were also members of new wave group, Mental as Anything, which O'Doherty joined in August 1977 on bass guitar and vocals, until they both left in 2000. As a visual artist, O'Doherty specialised in still life and everyday suburban scenes. He is married to Susan, who is also a visual artist.
Peter O'Doherty was born in Auckland, New Zealand on 23 March 1958; with his family he emigrated to Sydney in 1969. His father, James, and mother were landscape painters.[1] His older brother, Chris (p.k.a. Reg Mombassa, born 1951), attended art school where he formed a new wave group, Mental As Anything, in early 1976 with his fellow students.[2] O'Doherty attended high school on Sydney's Northern Beaches, where he learnt classical guitar and later worked as a petrol station attendant. He appeared on stage with his brother's group in August 1977, initially filling in, and became a permanent member on bass guitar and vocals with Mombassa on lead guitar and vocals, Martin Plaza on vocals and guitar, Greedy Smith on vocals, keyboards and harmonica, and David Twohill on drums.[2][3][4]
Peter O'Doherty performing live.
Unlike other members of the group's classic line-up,[3] O'Doherty was billed under his real name on all their releases. (He was introduced as "Ouzo Pork" in a few early concerts, and acquired the occasionally-referenced nickname "Yoga Dog" later, but was always billed simply as Peter O'Doherty on all their records issued from 1978 through 1999[5].) During O'Doherty's time with the group they issued three Top 10 albums, Cats & Dogs (September 1981), Creatures of Leisure (March 1983) and Fundamental (September 1985).[2] He also composed tracks, including the singles "Close Again" and "Brain Brain", provided guitar and designed covers and art work.
Art career
Although O'Doherty never attended art school, he became a prolific visual artist alongside his acclaimed brother, Mombassa.[1] They had left Mental as Anything in 2000 to concentrate on their art and music careers. His wife Susan is also a visual artist, "[she] paints her more abstract pieces,"[1] while O'Doherty specialised in still life and built landscapes. He has entered the art competition of the Archibald Prize with his works relegated to the Salon des Refusés.
Christopher O'Doherty, also known by the pseudonym Reg Mombassa, is a New Zealand-born Australian artist and musician. He is a founding member of the band Mental As Anything and member of Dog Trumpet (alongside his brother Peter O'Doherty).
Mombassa was born Christopher O'Doherty in Auckland, New Zealand, on 14 August 1951.[1][2] O'Doherty, his parents and younger brother Peter immigrated to Sydney, Australia, in 1969. He enrolled in what is now the National Art School in Darlinghurst in 1969 but left the following year. He returned again in 1975 and obtained his Diploma of Painting in 1977. Between and during his stints at college he supported himself with menial jobs such as builder's labouring, cleaning, house painting and working on the railways. In 1976 he formed the rock band Mental as Anything with four fellow art school students,[3] ostensibly to play at school parties. Although they did not initially intend to be a serious band, the Mentals, as they became known, eventually turned professional.
Mombassa's artwork is in two distinctive styles. The type of artwork he designs for Mambo – almost cartoonish and in vivid colours, incorporating religious, political and popular culture themes – is probably the style he is most widely known for.[4] However his landscapes and portraits, many of which are inspired by his childhood in New Zealand, are equally sought after. His artworks can be found in the Art Gallery of New South Wales, the National Gallery of Australia and other important regional galleries. Patrick White, Elton John and Ewan McGregor have all famously purchased his work.
Mombassa's first public showing was in a group exhibition held at Watters Gallery in Sydney in 1975 while he was still attending art college. It was at this exhibition that Patrick White purchased some works and subsequently became a patron, purchasing many others over his life. He first exhibited solo at Watters in 1986, the year he also began designing clothing for Mambo. His works were exhibited in three Mental as Anything collective exhibitions in 1982, 1990 and 1998. Further solo shows were held at Watters in 1991, 1993, 1995 and 1998. Alongside posters, record covers and merchandise for Mental As Anything and Dog Trumpet, he has designed record covers for the likes of PIL, Crowded House, Mondo Rock and Paul Kelly. He has gifted artwork to many charitable and environmental organisations including Greenpeace and The Wilderness Society.
As Mombassa's artistic output and demand increased it prompted him to make the difficult decision to cease touring with the Mentals in April 2000. He has continued to design for Mambo and hold sellout exhibitions at Watters in 2001, 2003, 2005, 2007 and 2009.
In January 2000, a career retrospective of his work was held in Sydney at the S. H. Ervin Gallery. An 80-page catalogue was released by the National Trust to coincide with this exhibition. It also saw the release of "Golden Sandals" directed by Haydn Keenan, a documentary on Mombassa featuring animated versions of his artwork. In March 2007 his self-portrait was selected as a finalist in the Archibald Prize. 2 May 2007 saw the broadcast of "Golden Sandals" on SBS independent. One of his most famous works was "Self-Portrait with Spots and Veins" (2003). He was also featured on the ABC TV profile show Talking Heads. In 2009 he was featured on BBC TV's Peschardt's People. In November 2009 Harper Collins released a biography by Murray Waldren called "The mind and times of Reg Mombassa", which includes over 200 art works.
In 2013 Mombassa was the creative ambassador for the New Year Eve Sydney fireworks, the theme was shine The centrepiece of Mombassa's contribution to the night was the unveiling of a single blinking eye on the Harbour Bridge gazing down on the 1.5 million revellers.
Buena Vista Social Club is an ensemble of Cuban musicians established in 1996. The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos González. They named the group after the homonymous members' club in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzón, they recruited a dozen veteran musicians, some of whom had been retired for many years.
The group's eponymous album was recorded in March 1996 and released in September 1997, quickly becoming an international success, which prompted the ensemble to perform with a full line-up in Amsterdam and New York in 1998. German director Wim Wenders captured the performance on film for a documentary—also called Buena Vista Social Club—that included interviews with the musicians conducted in Havana. Wenders' film was released in June 1999 to critical acclaim, receiving an Academy Award nomination for Best Documentary feature and winning numerous accolades including Best Documentary at the European Film Awards. This was followed up by a second documentary Buena Vista Social Club: Adios in 2017.
The success of both the album and film sparked a revival of interest in traditional Cuban music and Latin American music in general. Some of the Cuban performers later released well-received solo albums and recorded collaborations with stars from different musical genres. The "Buena Vista Social Club" name became an umbrella term to describe these performances and releases, and has been likened to a brand label that encapsulates Cuba's "musical golden age" between the 1930s and 1950s. The new success was fleeting for the most recognizable artists in the ensemble: Compay Segundo, Rubén González, and Ibrahim Ferrer, who died at the ages of ninety-five, eighty-four, and seventy-eight respectively; Compay Segundo and González in 2003, then Ferrer in 2005.
Several surviving members of the Buena Vista Social Club, such as tresero Eliades Ochoa, veteran singer Omara Portuondo, trumpeter Manuel "Guajiro" Mirabal, laúd player Barbarito Torres and trombonist and conductor Jesús "Aguaje" Ramos currently tour worldwide, with new members such as singer Carlos Calunga and pianist Rolando Luna,[1] as part of a 13-member band called Orquesta Buena Vista Social Club.[2]
I came from a small country town in rural South Australia and as far back as I can remember, all I wanted to be is an artist. After art school, I thought that was just a fantasy and took an engineering traineeship and joined the real world. But there was always the fear of going through life without ever making a great painting, which kept increasing as twenty-five years went on. So I made a decision and tried. First one afternoon per week, then by chance and intervention from a friend, an opportunity came to exhibit at 45 Downstairs and again in Art Basel, where one of my pieces made top 100. From there, it has been a headlong stampede, indefatigable pursuit of the one painting, the summation the reason to pick up tomorrow where I left off today.