metal

Dylan's Omens erupt into 2024 at The Workers Club! with support from SMILAS and Titration, the rock and metal quartet promises to bring it on January 6th, 2024. Old music, new music, and most of all... LOUD music.

UK-based metallers Tesseract will celebrate the dawn of a new decade with something truly special when they unleash their debut album ‘One’. The record will mark the realisation of a bold, experimental creative vision that began in 2003 as a solo writing project in the mind of guitarist Acle Kahney and has subsequently spawned one of the most hotly tipped metal bands in the UK. Since the formation of the band’s five-piece line-up in spring 2007, Tesseract have picked up richly deserved props from peers (Textures, Meshuggah) and press (Metal Hammer, Rock Sound, Scuzz) alike.

Tesseract (often stylised as TesseracT) are a British progressive metal band from Milton Keynes. The band, formed in 2003, consists of Daniel Tompkins (lead vocals), Alec "Acle" Kahney (lead guitar and producer), James Monteith (rhythm guitar), Amos Williams (bass, backing vocals) and Jay Postones (drums, percussion). The band is currently signed to Kscope.They are credited as one of the bands to pioneer the djent movement in progressive metal.[3] As of 2023, Tesseract have released five studio albums: One, Altered State, Polaris, Sonder and War of Being, as well as two live albums, Odyssey/Scala and Portals, and the extended plays Concealing Fate, Perspective, Errai and Regrowth.

During the turbulent and uncertain years of 2020-2021, perhaps none were plunged deeper into darkness than those from down under as Australia imposed some of the strictest, harshest, and most devastating lockdown measures in the world, forcing their civilians into years of isolation. However, through solitude and desolation, some of the greatest art is created, as is the case with BLACK LAVA, the emerging blackened death metal quartet from Melbourne (AU). Founded by drummer Dan Presland (Vipassi, AMDBL, ex-Ne Obliviscaris) and guitarist Ben Boyle (Vipassi, AMDBL, Hadal Maw), BLACK LAVA draws influence from old school death and black metal bands while injecting groove-laden melodies and progressive elements to create their own experimental sound.

“The idea came about from just pure frustration of the situation at hand during 2020/2021,” explains Presland of the band’s formation. “Ben and I live locally together, and in the beginning of the pandemic, I built a working studio, so we got together to just initially jam to release some frustrations and vent some music around the second half of 2021. We had a pretty casual jam together and Ben came back with a few fleshed out ideas a few days later.” As the ideas started to come to fruition, the duo quickly realized that the project had more potential than just a jam session. “Both of us were really into the direction Ben pushed,” continues Presland, “and it was something pretty new to both of us – we have worked together quite extensively over the years within music, playing in several bands together (Vipassi, AMDBL, Aphotic Dawn and more) – so to go in a totally new direction was pretty refreshing.”

As the pair fleshed out more ideas, they turned to their good friend Rob Watkins of Blackhelm to fulfill vocal duties. “Within 10 minutes we had found a vocalist and the search for a bassist was on. Tim Anderson (Blackhelm) was found pretty quickly and was keen to jump on board the idea also, so within a very short time frame we had a full lineup, a record ready to go, and 4 guys full of enthusiasm to push something new.”
Sharing a diverse love for black metal, death metal, and progressive music, the quartet quickly found their sound and hit a stride. And thus, Soul Furnace was born – a searing 34-minute aural assault that conjures up nostalgia while still sounding fresh and current. While the record promises to usher in a new musical era of the 2020s with its forward-thinking and contemporary energy, the lyrics dwell somewhere between fantasy and the old world.

“In the world of Black Lava, the lyrics are set in a time and world long gone and forgotten, mostly made up of fantasy and a medieval theme, fitting for the realms of our style of music,” explains vocalist Rob Watkins of the album’s themes and inspirations. “We draw inspiration from the natural environment and mother nature, ancient witchcraft and the glory of warriors in battle. I picture Black Lava as visiting an ancient beast in a cave giving you a chance to escape the outside world through its tales and mythology.”
With a new deal with Season of Mist and a team of some of the music industry’s most revered artists, producers, engineers, and professionals behind them to help render their vision, Black Lava is ready to make its debut and unleash its fury upon the masses.

Vio-lence is an American thrash metal band formed in 1985 in the San Francisco Bay Area. Throughout its existence, they released demo tapes, one EP and three studio albums. Vio-lence is best-known for their association with the 1980s Bay Area thrash metal scene, and often credited as one of the leading lights of the second wave of the genre, along with Pantera, Sepultura, Sacred Reich, Dark Angel, Annihilator and Flotsam and Jetsam as well as their Bay Area counterparts Testament, Death Angel and Forbidden.[1][2][3][4][5] The band has also been referred to as one of the so-called "Big Six of Bay Area thrash metal", alongside Exodus, Testament, Death Angel, Lååz Rockit and Forbidden.[6][7]

Vio-lence's most stable line-up was Phil Demmel and Robb Flynn on guitars, Deen Dell on bass, Perry Strickland on drums and Sean Killian on vocals; this lineup recorded all three of their studio albums–Eternal Nightmare (1988), Oppressing the Masses (1990) and Nothing to Gain (1993). After breaking up in 1994 and reforming for occasional live performances from 2001 to 2003, the band reunited once again in January 2019,[8] and released the EP Let the World Burn, their first collection of new material in nearly three decades, in March 2022.[9] The current lineup of Vio-lence includes Demmel, Strickland and Killian, in addition to bassist Christian Olde Wolbers as the replacement of Dell.

Vio-lence, then-called Death Penalty, was formed in 1985 with the line-up of Jerry Birr (vocals), Phil Demmel (guitar), Troy Fua (guitar), Eddie Billy (bass – brother of musicians Andy and Chuck Billy) and Perry Strickland (drums).[10] Not long after playing their first gig, which reportedly took place at a house party, Death Penalty changed their name to Violence and eventually then to Vio-lence, as the former was taken by another band. After recording two demos in 1986, they parted ways with Birr, Fua and Billy, who were replaced by Sean Killian, Robb Flynn (formerly of Forbidden Evil) and Deen Dell respectively. Their live success at local clubs in Northern California – opening for bands like D.R.I., Voivod, Kreator, Dark Angel, Suicidal Tendencies and the Mentors, as well as their Bay Area thrash metal peers Testament, Exodus, Death Angel, Lȧȧz Rockit and Heathen – allowed Vio-lence to record another demo, this time for major labels, including MCA Records' sister label Mechanic, who offered them a recording contract.[10][11][12]

From February to April 1988, Vio-lence recorded their debut album, Eternal Nightmare, at two studios: The Music Grinder in Los Angeles and Alpha & Omega in San Francisco. The album received mostly positive reviews upon its release in the summer of 1988, and peaked at number 154 on the Billboard 200, becoming the band's only album to enter that chart;[13][14] this can be attributed to the album selling over 30,000 copies.[10] Vio-lence toured throughout 1988 and 1989 in support of Eternal Nightmare, with bands such as Testament, Voivod, Death Angel, Sanctuary, Nuclear Assault, D.R.I., M.O.D. and the Cro-Mags.[10][11][12] The underground success of the album also caught the attention of several labels, including Megaforce Records (then-home to bands such as Testament, M.O.D., Anthrax, and Overkill), who eventually signed the band.[10][11]

In December 1989, Vio-lence entered the studio to record what would be their second album and only release on Megaforce (distributed by Atlantic) Oppressing the Masses; however, the album faced multiple delays until its release in the summer of 1990.[10][11][12] Although the album's success did not match that of Eternal Nightmare, it received some positive reviews and a video for the song "World in a World" was released. Oppressing the Masses also generated some controversy, when the original album (which reportedly sold only 20,000 copies) was destroyed because of Atlantic's objection to the lyrical content of "Torture Tactics";[10][11] as a result, the album was reprinted without this track. Vio-lence toured in support of the album for about a year, with bands such as Overkill, Exodus, Forbidden, Flotsam and Jetsam, Prong, Defiance and Rigor Mortis.[12]

In 1991, after being dropped from Atlantic/Megaforce, Vio-lence released an EP Torture Tactics, which included three studio songs (recorded in 1989 during the sessions of Oppressing the Masses) and one "live" track from 1988. Internal conflicts in 1992 resulted in the departure of Robb Flynn who would move on to form groove metal band Machine Head.[10] A year later, Vio-lence released their third and final album, Nothing to Gain, which was actually recorded in 1990. They never toured in support of that album, and Strickland left the band after its release.