Tyne first gained national attention in late 2017 with the release of the single, ‘Watch You Go,’ a detailed account of the death of his father, Rikki, in 2016. It was a song that was equally flowing with grief and joy, as Tyne, a kid from the raw, Northern suburbs of the former steel city Wollongong, pursued not only his dreams to become a professional musician, but his desire to achieve catharsis and find meaning in his father’s untimely passing. Released by stalwart indie label Dew Process, the song quickly captured the attention of the tastemakers at triple j radio, and was added to full rotation, bringing his music to a national platform for the first time. Meanwhile, Tyne continued his journey towards closure by encouraging discussions of loss and grief in the media as his profile continued to grow.
From there he pivoted with his follow up – the upbeat rocker, ‘Graceful,’ and with it showed off the next huge step in his artistic development. The single saw him aim big – going for a huge, rockier sound, while continuing to focus on the delicacy of his lyricism. Again, championed by triple j, ‘Graceful’ proved to be a major turning point in his fledgling career, leading to sold out national solo tours and support slots for big name acts like Jake Bugg, Lime Cordiale, and Middle Kids, as well as performing as part of his good friend and label mate Mallrat’s on stage show, including her momentous Splendour In The Grass set in 2018. In 2019, Organ released his debut EP, Persevere, spearheaded by the barnstorming single ‘Something New.’
By now Organ had grown from the surfer-songwriter from the NSW South Coast, into a fully-formed frontman with swagger, a voice as powerful in its deeper register as its highest falsetto, and three songs that had burned bright on national radio on high rotation for 18 months. This time he returned to perform at Splendour in the Grass on his own steam, packing out the country’s premiere festival stage with thousands of his own fans.
After years of hard work and inspiration spawned by overcoming tragedy and celebrating triumph, 24-year old Organ now returns in 2021 with his debut album, Necessary Evil. The album was recorded throughout 2020 with longtime creative partner Chris Collins (Middle Kids, Skegss) at his NSW Hinterland studio, Stokers Siding. The result sees Organ move from triumphant and jubilant at one moment, to introspective and tender at the next. He deals with grief and pain, power and passion – sometimes open and raw with bare bones acoustics, other times with undeniable swagger via chugging guitar riffs and a swing for the fences approach that only comes from letting it all go and letting the music speak for itself.
Alongside Sunday Suit, Necessary Evil features the upbeat rocker Graceful, the undeniable follow up Hold Me Back; and recent single Not Ready for Love cut so deep it became his most successful international single to date. The track earned the attention of BBC Radio 1 tastemaker Jack Saunders, who locked into that vocal line straight away, saying, “…he's got such a sick voice! He sounds like he's just woken up after a three-day bender with Mick Jagger and Ozzy Osbourne picked up the guitar and gone straight into the recording booth without even attempting to rehydrate in any capacity at all. I love the gravel when he really pushes his voice to the max!"
Organ has steadily grown his audience and reputation over the last few years with hard work, brilliant stage craft, wearing his heart on his sleeve and an undeniable talent for writing beautiful music. It's a courage that has endeared him to fans around the country and the world at large. He’s shared stages with The Lumineers, Jake Bugg, Middle Kids, and Lime Cordiale to name a few, and several sold out national headline tours in minutes. As well as playing some of Australia’s biggest festivals including Splendour in the Grass, Falls, Party in the Paddock, Yours and Owls and Fairgrounds.
