folk | Musicosity

folk

VulgarGrad

VulgarGrad are a seven-piece Melbourne-based band who play unique folk-funk-polka-punk renditions of traditional Russian folk and "Thieves' Songs". Band members: Jacek Koman : vocals
Andrew Tanner : contrabass balalaika
Renato VaCirca : drums
Ros Jones : trombone
Adam Pierzchalski : trumpet
Nara Demasson : guitar
Phil McLeod : piano accordion www.vulgargrad.com

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Daniel Champagne

Recently described as 'the most talked-about rising star of Australia's next generation' Daniel Champagne delivers one of the most impressive one-man-shows out there!

Reaching to musical depth’s far beyond his years and a way with the guitar that can only be seen to be believed. Champagne often sounds closer to a three-piece band than the 21 year old singer songwriter guitarist now established as a renowned performer on both the Australian and international stage.

A reputation on his instrument of choice firmly established, recent descriptions of the live show state 'Proof that the acoustic guitars only limit is our imagination' (Lloyd Spiegel) and 'The best young guitarist in Australia' (IFC President). Daniel's playing runs from the instruments soul to way outside of its box. His Signature explosion of 2-hand tapping, body percussion and fiery runs in a swag of different tunings can be expected. As can the jazzy finger picking and tasteful improvisation of someone that first picked up the instrument at seven years old and as it would seem, hasn’t put it down since.

The same versatility can be said for his writing and material. Pulling off setts from intense blues-driven crowd pleasers, experimental compositions, bags of originals to century old Folk and Blues Songs delivered with an exiting youthful flair. As for the voice...'He sings with a wonderfully pronounced and proud Aussie twang, howling here, hushed there, always confident, fearless and knowing' (Jamie Forbes)

In all, a live show to mark as an absolute must see!

Having released two celebrated studio EPs - 'My Own Design' (2009) and 'Wide Eyed and Open' (2010). Daniel has now taken his explosive live show to all corners of his homeland and received an overwhelming response on an international level. He has performed at some of the fore-most world renowned Folk and Blues festivals including Woodford, Byron Bay Bluesfest, Nationals (Australia) Vancouver Folk, Salmon Arm Roots & Blues (Canada) to name a few. After Sharing stages with some of the leaders in acoustic music today and been marked as a true light in its future Daniel Champagne now holds a firm reputation for dropping jaws, breaking guitars and making festivals buzz wherever he goes!

PRESS QUOTES
"Daniel is proof that the acoustic guitars only limit is our imagination. It's a thrill to see a young artist with so much creativity, desire and talent using the instrument in a unique way" (Lloyd Spiegel)

"The best young guitarist in Australia" (IFC President)

"His on-stage presence radiates a musical maturity well beyond his years and a phenomenal method of playing the guitar leaves audiences thrilled' (TE Herald, Newcastle)

"It's his guitar work that really steals the show. Champagne has not only mastered his instrument, he's conquered it! Reaching into Folk, Blues, Classical, Jazz, Rock and other styling’s, with nods to virtuosos too numerous to mention. Champagne has created a pastiche all of his own... I cannot recommend this cd highly enough. Buy it, spread the word, something wonderful is happening down here" (BDN)

"A precarious young talent in the guitar world!" (Rhythms Magazine)

PERFORMANCE REVIEW
'Today I saw the future of Folk! - Festival goers flocking in their thousands towards main stage to witness the young musical phenomenon from Australia dish out an absolute show-stopper at the evening’s end.

It's not often that what we are told in this industry is reality, but I can tell you...the hype surrounding this kid is!

Daniel Champagne's guitar skills are indeed unparalleled, I've seen all the great players but have never heard such a sound come out of one instrument. Prowling the stage with it swinging around his shoulders and through the air, his hands are a blur as he taps notes with both hands, beats out rhythms on the body and toys with our emotion in a musical rollercoaster running from all out attach to complete silence with a mere slide of hand. Each song is a polished gem delivered in the vein of a old Folk troubadour, yet with an exiting youthful flair. But it's the manner in which he holds his audience...his commanding stage presence, cheeky road stories of a 21yr old on the international circuit and his old school dancing-in-the-crowd, guitar behind the head showmanship that had the audience in hysterics and had me convinced that we've really struck gold here.

In the modern age of Hip Hop and processed rock music where our folk players are getting pushed to the festival side stages in place of the more 'popular' acts. It’s a true joy to see a young performer steeped in our rich folk tradition who is able to hold a festival crowd both young and old with just a guitar, a voice and an old thing called talent!' (Exert from ‘The Firefly Column’ San Francisco by Anthony James)

FESTIVAL APPEARENCES
- Byron Bay Bluesfest
- Woodford Folk Festival
- Queenscliff Music Festival
- Australian Blues Music Festival
- National Folk Festival
- Vancouver Folk Festival (Canada)
- Salmon Arm Roots & Blues Festival (Canada)

Fairbridge Festival, Corinbank Music and Arts Festival, Snowy Mountain's of Music Festival, Wallaby Creek Festival, Cygnet Folk Festival, Illawarra Folk Festival, Mt Beauty Music Muster, Palm Creek Folk Festival, Red Deer Festival, Kangaroo Valley Folk Festival, Cobargo Folk Festival, Candelo Village Festival, Tilba Easter Festival, Bega Valley Transition Festival, Tuross Music Festival and many more...
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Sweet Jean

Sweet Jean is Sime Nugent and Alice Keath. Their music draws on the dark, bent, old soulful tradition. They play frailing banjo, agricultural guitar, autoharp and harmonica with harmony singing at the centre of it all. From Melbourne, Sweet Jean has been described as “one of the freshest and most original new acts….for a long time in a city that’s brimming with genuine musical talent” Sweet Jean’s debut album will be released in 2012.

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Mountain Man

There are two artists called Mountain Man: 1. Mountain Man is a group of three young women, based in Bennington, Vermont - Amelia Meath, Molly Sarle, and Alex Sauser-Monnig- who sing with or without Alex's guitar. There's a fragile balance between the three very different styles and personalities in these three young women. They are all songwriters, and having all three approaches with the same treatment on the same album is really satisfying.

Isobel Campbell & Mark Lanegan

Isobel Campbell is the former cellist and backup vocalist for Belle & Sebastian, as well as leader of The Gentle Waves. Mark Lanegan used to be the frontman of the Seattle grunge band The Screaming Trees, has recently played with Queens of the Stone Age, and formed together with Greg Dulli The Gutter Twins. Lanegan has also been releasing solo albums since 1990. Together, Campbell and Lanegan form a unique combination of gruff vocals and dulcet voices.

Prince Rama

Spawned from the vernal heat of the Florida swamps amidst swirling patterns of pine orchards and pre-Columbian artifacts, Prince Rama was whispered into the ears of Taraka Larson, Nimai Larson, and Michael Collins in the summer of 2007 by the clanging of prayer bells and goat-skin drums. They left the Hare Krishna farm where they were staying to go to art school and form a creative nucleus in Boston.

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America

America is a light rock band, most popular in the early and mid 1970s and now best known for their #1 hits "A Horse With No Name" and "Sister Golden Hair." Comprised of Gerry Beckley, Dewey Bunnell, and Dan Peek, they were seldom a favorite with critics, but were exceptionally successful commercially selling both singles and albums. Despite the presence of other heavyweight acts like James Taylor and Rod Stewart on their roster, America was Warner Brothers Records' biggest selling act of the 1970s.

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