romantic | Musicosity

romantic

Franz Liszt

Franz Liszt (1811, Doborján, Hungary - 1886, Bayreuth, Germany)(Hungarian: Ferencz Liszt, in modern usage Ferenc Liszt, from 1859 to 1865 officially Franz Ritter von Liszt) (October 22, 1811 – July 31, 1886) was a Hungarian composer, virtuoso pianist and teacher. He was also the father-in-law of Richard Wagner. Liszt became renowned throughout Europe for his great skill as a performer during the 1800s.

Artist Type: 

Antonín Dvořák

Antonín Leopold Dvořák (September 8, 1841, Nelahozeves – May 1, 1904, Prague) was a Czech composer of romantic music, who employed the idioms and melodies of the folk music of Moravia and his native Bohemia. His works include operas, symphonic, choral and chamber music. His best-known works include his symphonic works (above all "New World Symphony"), Slavonic Dances, String Quartets, Concertos for cello (Concerto in B minor) and violin, oratorial compositions Requiem, Stabat Mater and Te Deum.

Artist Type: 

Ludwig van Beethoven

Ludwig van Beethoven (16 December 1770 – 26 March 1827) was a composer of the transitional period between the late Classical and early Romantic eras. He was born in Bonn, modern day Germany.
Beethoven is widely regarded as one of the greatest masters of musical construction, sometimes sketching the architecture of a movement before he had decided upon the subject matter. He was one of the first composers to systematically and consistently use interlocking thematic devices, or “germ-motives”, to achieve unity between movements in long compositions.

Artist Type: 

Sergei Rachmaninov

Sergei Vasilievich Rachmaninov (Russian: Сергей Васильевич Рахманинов, Sergej Vasil’evič Rakhmaninov, 1 April 1873 [O.S. 20 March] – 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.[1]

Artist Type: