ambient

High Wolf uses loops, percussive sounds, fuzzy keyboards and obscure sunken melodies to create a ritual space that combines aspects of exotica, ethno-flux, drone and minimalism while skirting the kinda haunted forests of tone previously the domain of Spencer Clark and James Ferraro.

Sarah Hopkins is a unique Australian composer-performer, highly acclaimed for her visionary music and inspiring performances for cello, harmonic overtone singing, handbells, choir and the celestial Harmonic Whirlies of her own creation. With a strong background and training in classical music, over the years she has moved into the realm of holistic music and developed a very distinctive compositional voice.

Where words fail, music speaks. Imagine flying in the clouds looking at creation from God's point of view. The sun setting, dipping into a beautiful blue ocean, the sky, so blue that it hurts to merely look at it, the image of all creation crying out in adoration of its Creator. instrumental music has the power to conjure such images in the minds of its listeners. Rivertribe combines instruments from around the world to create music that takes listeners on a journey to places only conceived in the imagination. It breaks down walls to go where songs with words can't go.