experimental

Kenji Suzuki (鈴木健二, Suzuki Kenji, born January 16, 1950, in Japan), popularly nicknamed Damo Suzuki (ダモ鈴木), is a singer probably best known for his membership in German krautrock group Can. Suzuki spent the late 1960s wandering around Europe, often busking, during which time he would only have been a teenager. When Malcolm Mooney left Can after recording their first album Monster Movie, Holger Czukay and Jaki Liebezeit encountered Suzuki singing on a street in Munich, Germany whilst the two were sitting outside at a street café.

any recorded or performed or installed or packaged or shared pieces made by Luke Fischbeck, Sarah Rara, and any sometimes collaborators. lucky dragons shows are about the birthing of new and temporary creatures--creating equal-power situations in which audience members cooperate amongst themselves, to build a fragile network of digital signals connected by touching on the skin. There have been hundreds of these simple yet shifting and unpredictable instances--with audiences ranging from the intense intimacy of one person to the public spectacle of over one thousand people.

Hype Williams, comprised of Dean Blunt and Inga Copeland, is named after the film maker responsible for Belly. Starring rappers Nas and DMX, it was a hyper-stylised, Nihilist mess and this London duo borrow its finer traits, its strut and loathing. From beneath a medicated haze they lace twanging Americana with seams of swaggering dread. They are Bobby Peru made music. The band's sound consists of very lo-fi, homegrown recordings incorporating hip-hop and '80s references—and the persona going along the band is equally as bricolaged as the tracks.

1.
II is the one-man Black Metal project of DNAR. Formed in France during 2007.
2.
ii (pronounced "i i") are a duo from Melbourne, Australia, who chart a course through guitar-based atmospherics, noise, instrumental pop and sound art. Comprising Alex Nosek (guitar, synthesiser, computer) and Jon Tjhia (guitar, synthesiser, computer, drum set), the group focusses equally on improvisation and premeditation, with an interest in breaking from melodic and harmonic structure.