Michael Kiwanuka is a British musician of Ugandan heritage who writes songs combining soul and rootsy folk influences and sings them with a deep, husky soulful voice. The Home Again Songfacts says that after signing with Communion Records, Kiwanuka recorded his debut EP, Tell Me A Tale, with the help of Paul Butler from The Bees, who took the Muswell Hill, London native to his Isle of Wight studio to record the songs.
Amos Leon Thomas Jr (born 1937, died May 8, 1999) was an American avant garde jazz singer from East St. Louis, Illinois. He changed his name to Leone in 1974. Thomas is best known for his work with Pharoah Sanders, particularly the 1969 song "The Creator Has a Master Plan" from Sanders' Karma album. Thomas's most distinctive device was that he often broke out into yodeling in the middle of a vocal. This style has influenced singers James Moody and Tim Buckley,among others.
A small seaside town in Tunisia in the 1970s. A boy walks along a deserted shoreline picking up the odds and ends he finds lying around: A broken fishing net; a few discarded sardine cans; spokes from an old bicycle. His heart and mind are full of music and he wants to play. It's as much as his father can do to put food on the table for Dhafer and his seven brothers and sisters. There certainly isn't spare money for music lessons, let alone for an instrument. So Dhafer makes his own oud, the traditional middle-Eastern lute, using whatever he can find.
There are 2 groups known as Fourplay, 1) An American smooth jazz group, 2) An Australian string quartet: 1. Fourplay is a jazz group, founded around 1990, in the USA. Current members are: Bob James (keyboards & programming), Nathan East (bass & vocal), Chuck Loeb (guitar) & Harvey Mason (drums & percussion). Loeb replaced Larry Carlton who himself had replaced the founding guitarist, Lee Ritenour in '98.
Femi Kuti is an award winning Nigerian musician, and the oldest son of legendary Afrobeat pioneer Fela Kuti. Femi was born in London on 16 June 1962 and grew up in the former Nigerian capital Lagos. Like his father, Femi has shown a strong commitment to social and political causes throughout his career, but he differs in his religious views. In 2001, Femi collaborated with a number of US musicians such as Common, Mos Def, and Jaguar Wright, on his Fight to Win album. This album was widely regarded as the most influential Neo-Afrobeat album of the early 21st century.
Jazz / Tropical / Melodramatic Popular Song Band Members: Jess Guille - Vocals, Ukulele... Eamon McNelis - Vocals, Trumpet... Mark Elton - Double Bass, Vocals... Ben Hendry - Drums and Toys.... Influences:Far too many to list, lots of smashing Melbourne grown bands like The Band Who Knew Too Much, The Hoodangers, Pete Baylor, Virus.... There are some amazing vibes floating about! We like to boogie.
Candlesnuffer is the physical incarnation of the music of David Brown. David's history around the Melbourne scene extends back to the mid-70's when fresh out of school he joined AC/DC, only to be given the boot three weeks later for excessive artistic endeavour. He later formed Signals with fellow fine art students David Wadelton and Chris Knowles. In 1987 and 1988 he was playing with Dumb and the Ugly.
The Basement Big Band flaunts luscious brass, spicy rhythms and features many of Australia's flirtiest musicians.
With a nod to harlem’s cotton club or new orleans’ preservation hall they deliver their fiery brand of swinging riffs and infectious dance rhythms. They are a must see for lovers of swing music and are irresistibly danceable.
A survivor of Glastonbury, Mon is a co-founder of Australia’s toughest funk export Deep Street Soul (Freestyle Records) supporting The Bamboos, Marva Whitney, Charles Bradley, Breakestra and others. Mon won Triple J’s Unearthed competition fronting her own tunes, and lends her keyboard playing to both local and international artists such as Kylie Auldist, The Paesanos, John Fleming (Scared Little Weird Guys) and accompanies the Melbourne Mass Gospel Choir. Mon brings the vintage keys sounds with a touch of warped modernism into the mix.