Gold Coast based world music band A FRENCH BUTLER CALLED SMITH have been performing their high energy Latin, funk, instrumental fusion over a 2 year period to ever increasing audiences on Australia's East Coast. The initial creators behind this all organic dance music sound were acoustic guitar aficionado (Scott French), bass maestro (Jake ‘the Butler’ Martin) and respected world percussion artist (Brennan Smith).
Fishbone is a long-lived, influential band, self-described as jazzy ska-gospel punk rock-reggae. The band was formed in 1979 in the ghettos of South Central Los Angeles by Angelo Moore, also known as "Dr. Madd Vibe" (vocals, saxophones ranging from soprano to bass, and theremin); Kendall Jones (guitar); John Norwood Fisher (bass); Philip "Fish" Fisher (drums); "Dirty" Walter A. Kibby II (trumpet); and Chris Dowd (keyboards, trombone).
Gil Scott-Heron (born April 1, 1949 in Chicago) is an American poet and musician, known primarily for his late 1960s and early 1970s work as a spoken word performer, associated with African American militant activists. Heron is perhaps most well known for his poems/songs "The Revolution Will Not Be Televised" and "What's the Word - Johannesburg" a movement hit during the 1980's South Africa college and national divestment movement in the United States of America.
Jamie Lidell (born September 18, 1973, Huntingdon, England) is a musician and soul singer, signed to Warp. Famed for his largely improvised shows, that see Jamie constructing his tracks live, voicing and layering right in front of your eyes, effortlessly whipping them out of the air and forging them into clanking electro riffs and deathprod funk grooves. Likened to Sly Stone, Prince and Little Richard, he is Britain's voice of soul for the new era.
The Stepkids are three singer/songwriters. “A lot of what excites us about this band is this band itself,” says bassist and keyboardist Dan Edinberg. “It’s not either of us; it’s about creating an entity where the entity itself is what’s important.” As a result, every song on the Stepkids self-titled debut album is written with equal input from each member. “All three of us write and all three of us sing,” says Jeff Gitelman, who resigned from touring as Alicia Keys' guitarist to concentrate full-time on recording the Stepkids self-titled debut album.
Based in Adelaide, South Australia, The Transatlantics are an eight-piece deep funk and soul outfit inspired by the great soul performers of the late 60's and early 70's. The Transatlantics have played support to the likes of Roy Ayers (USA), Eddie Bo (USA), Russ Dewbury (UK), Ohmega Watts (USA), Nick RecordKicks (Italy), Nostalgia 77 (UK), The Bamboos (Melb) and in 2009 have appeared at major festivals including the Big Day Out, Parklife and Playground Weekender. They have released two 7" singles and have a debut album due for release in September 2009.
Garrett Dutton III (born October 3, 1972), better known as G. Love, is the front man for the band, G. Love & Special Sauce. Dutton, born in Philadelphia, began playing guitar at age 8. He wrote his first song by the time he was in the 9th grade and began playing harmonica in a wire rack. Dutton credits Bob Dylan and John Hammond Jr., as well as then-contemporary "old school" hip-hop sounds of Run-DMC, the Beastie Boys, and Philadelphia's own Schooly D as influences.
Herbert Jeffrey Hancock (born April 12, 1940) is a jazz pianist and composer from Chicago, Illinois, United States. Hancock is one of jazz music's most important and influential pianists and composers. He embraced elements of rock, funk, and soul while adopting fre-er stylistic elements from jazz. As part of Miles Davis' "second great quintet" Hancock helped redefine the role of a jazz rhythm section, and was later one of the first jazz musicians to embrace synthesizers and jazz funk.
N.E.R.D (No One Ever Really Dies) is a funk rock, alternative rock and alternative hip hop band formed in 2001. Their music is best described as funk rock, with various other influences, including hip hop, R&B, soul, alternative rock, and blues. Pharrell Williams and Chad Hugo met in Virginia Beach, Virginia at the ages of 12 at a summer camp for musicians, which they both disliked. They spent their free time making beats and performing in groups with fellow childhood friend Timbaland. Shay Haley began performing with Williams and Hugo in high school.
The Cat Empire is a six-piece alternative band from Melbourne, Australia. Their sound has been described as a fusion of jazz, funk, and rock with heavy Latin / Salsa influences (not to mention reggae, ska and dub). Currently, the Cat Empire consists of Ollie McGill (keyboard and backing vocals), Ryan Monro (bass and backing vocals), Felix Riebl (percussion and vocals), Harry James Angus (trumpet and vocals), Will Hull-Brown (drums), and Jamshid "Jumps" Khadiwhala (decks, percussion). A strong, recurrent theme of their music is the rejection of materialism, war, and intolerance and an enthusiastic embrace of cultural diversity and the simple, carefree life.
The Cat Empire began as a trio with McGill, Riebl, and Monro in late 1999, and started playing a wide variety of gigs in Melbourne. The band soon expanded in 2001, adding Angus, Hull-Brown, and Khadiwala.
THE Cat Empire's message, on stage and in the studio, has always been about breaking down borders: musical, geographic, lingual. But they have never done it so powerfully as they do on their new album, Cinema. The album serves up a set which captures the inexorable force - and sheer joy - of their live performances, delivered in a format perfect for lounge-rooms, backyards, BBQ’s, cafes, road trips and parties all over the world.
Cinema, the band's fourth studio album, is a dazzling statement of a band at a peak of its powers, music designed to move the body and the mind. Right from the opening track, Waiting, this is music that leaps from the speakers.
All the elements that people love about The Cat Empire are there but the result is brighter, bolder. And yes, more cinematic. What grabs the ear immediately is that this is not a band playing with genres. In the past, The Cat Empire dived in to any musical style which took their fancy, from reggae to salsa, Latin to hip-hop. Cinema reveals a band that has developed an emphatic voice that is all their own.
``That's a sound that has emerged out of nearly 10 years of playing on stage together,'' says singer and percussionist Felix Riebl. â€The result is an album that's much more integrated than anything we've done before, with a Cat Empire sound that runs consistently through it. The lyrics are perhaps darker, but they are accompanied by music that is uplifting which gives it a strange but powerful feeling.''
Riebl adds: “At times the album is thoughtful, at times it makes you just forget and dance. But it is an album that has more sonic depth than we've ever had before, experimental in parts but with really direct choruses. It's going to be a great album to play live, especially on big stages and at festivals.''
Of course, the stage is never far from the thoughts of this band. In an age when so much of selling music seems to be about celebrity and fashion, The Cat Empire have risen to be one of Australia and indeed the worlds favourite live acts through sheer musicality and the power of their interaction on stage. The band - Riebl, Vocalist and trumpeter Harry Angus, keys player Ollie McGill, bassist Ryan Monro, drummer Will Hull-Brown and Jamshid Khadiwala (aka ‘Jumps’) on decks - played their 700th show in Amsterdam last year, and will hit the 800 mark in 2010. While it is not well known in Australia, The Cat Empire are one of the country's most successful musical exports, doubling their audience numbers at every return stop.
They have headlined some of the world's biggest music festivals, including Summersonic (Japan), Rock am Ring (Germany) and V Fest (UK), playing Bonnaroo (US) as well as to an audience of 300,000 at the Montreal Jazz Festival. They have also played on some of world's highest rating entertainment shows, including Dave Letterman and Jay Leno. This year their worldwide tour in support of the international release of Cinema will see them return to Canada, US, Europe, Japan and the UK, where they will play to a full house at London's Brixton Academy.
The knowledge that they would be playing songs from the new album on so many big stages focused the song writing sessions for Cinema. The album was recorded close to home at Sing Sing studios in Melbourne with producer Steve Schram, and he encouraged them to make an album that was their most collaborative song writing effort yet.
``That was a deliberate decision from all of us,'' says the lion of the live show - Vocalist and Trumpeter Harry Angus. ``With six people in the band sometimes there will be a song on an album that not everyone wants to play live. This album certainly gets around that problem. And I think that after so many years playing together the guys are much more confident about contributing to the writing. Steve encouraged us to do that. That's been great for us.''
Of working with The Cat Empire, Schram says “it was the perfect studio scenario; amazing players open to trying anything and willing to take a back seat when required. Egos were left at the door.†He adds “In terms of musicianship, it's no secret that they don't come much better than The Cat Empire. Yet Cinema shows that simplicity and one well placed note packs more of a punch and serves the song far more than musical chops alone. We set out to explore in depth the mood and character of each song while maintaining a focus on performance rather than studio trickery. “
After taking their longest break from studio recording after the release of 2007's So Many Nights, the band reconvened feeling refreshed. ``In 2008 we took a break from touring for 8 months. Then in 2009 we released our (live album) Live on Earth†Riebl says. ``When we came back to the band, and then into the studio we all rediscovered what we loved about The Cat Empire in the first place; that it is a band that can do the unexpected, that we have great energy and make music that is always a lot of fun to play on stage. The feeling right now is just like when we were starting out. We're all very excited about that.''
Cinema will be released ...
JUNE 25, AUSTRALIA
JUNE 29, CANADA
JULY 6, USA
AUGUST 2010, EUROPE & JAPAN
See www.thecatempire.com for tours and information
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