Hexadecimal is Nottingham-based breaks duo Scott Reeder and Ben Harvey. With numerous critically-acclaimed releases, a residency at the multi-award winning Nottingham breaks night "Spectrum" and a 2007 Breaks Poll gong under their belt, the breaks world now knows all about Hexadecimal. Hexadecimal have smashed their way through the Nottingham breaks scene and are causing similar sonic destruction as they take their sound out of town.
Kid Kenobi is an Australian DJ who won People's Choice NSW DJ of the Year in 2001 at the Australian Dance Music Awards, and Technics Australian DJ of the Year in 2001-2005. He has been featured in FHM, Rolling Stone, Ralph and Urb and also writes for some music papers. Kid Kenobi has fans all over the globe and a large following in Australia. He has also mixed so many CDs for Ministry Of Sound Australia that they made him his own "Sessions" series. He recently mixed the Ministry Of Sound Clubber's Guide to 2007 with Goodwill.
Alex Metric (born Alex Drury) is a Britsh musician, DJ and producer. He is a resident DJ on BBC Radio 1's 'In New DJs We Trust'[1] and has released numerous EPs as well as working as a producer for acts such as The Infadels, Charli Xcx and Adam Freeland.
The Freestylers formed in 1996 when DJs and dance music producers Matt Cantor, Aston Harvey and (initially) Andrew Galea joined forces. All three of them had been involved in the British dance music scene since the 1980s. Cantor had recorded as Cut n' Paste and Strike with Andy Gardner (Plump DJs). Aston Harvey recorded as Blapps! Posse best known for the 1990 breakbeat dance hit "Don't Hold Back" before working with Definition of Sound, Rebel MC and DJ Rap (as DJ Rap and Aston). Harvey joined with Galea under the name Sol Brothers before Cantor was recruited to form the Freestylers.
The Stanton Warriors have succeeded in not only bucking musical definition but have picked it up by the collar and kicked its ass. They've also done this in true underground warrior style as despite becoming the first breakbeat act ever to sign to a major label (warner, no less), they were required to, in their eyes, compromise their style for the sake of shifting units. As a result they refused to put out any releases and focused on the DJing whilst a new label was sought (V2).
Destructive Techy Electro House type stuff.... As heard on the latest Orange Rock Corps advert.
DJ MAG REVIEW: RackNRuin - Skitzo/Audio Porn (Future Perfect)
A smash-and-grab from the mash-up scene here as RackNRuin makes slamming noisenik electro with a great revved-up b-line. No wonder Fake Blood and Sinden are all over this.
4 and a 1/2 out of 5!!
Imagine a precisely blended concoction of tight irresistible grooves, chunk fueled bouncy beats, luscious brooding soundscapes, and a bowl of scrumptious glitch. Welcome to the musical world of Opiuo. A self confessed music addict with a light hearted approach to life and art.
Opiuo is at his best whilst hiding from the world, creating fun fueled music. Influences coming from everything, from life changing experiences, to mere cups of tea. Incorporating sounds as varied as jazz, reggae, funk, rock, psychedelia, and down right chunky goodness.
Originally from New Zealand, he now resides in Melbourne, Australia, where he has built an international reputation for his party fueling creations. Many of which have seen worldwide release, and some are being played by the biggest names in the business.
2009 has seen Opiuo go from strength to strength. Having played many of the major summer festivals and supported a multitude of international acts. Stand up, shake down, and get ready for a right ol stomp . . .
FOR DOWNLOADS:
www.junodownload.com . . www.emp3.co.nz . . www.opiuo.bandcamp.com . . www.myspace.com/opiuo
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Atomic Hooligan are a breaks duo from London. You Are Here, their debut album, was released in 2005. The two are also well known for their remixes. Matt Welch is a classically trained violinist since the age of 4 and holds a Masters in Music. The other Hooligan and Turntabelist / DJ extraordinaire Terry Ryan is a graduate of the School of Audio engineering and has been spinning the decks since he discovered body hair.
Bass Kleph writes the kind of tracks where the whole club does a double take, then bum rushes the DJ to find out what the F##K is this?!?. It’s a dirty, bouncy, querky, sexy, sensory assault of less is more Tech/Electro. A mash of straight beats, and break beats, big bass and house treats. It’s that… well it’s that Bass Kleph sound. He describes the sound as a war on average, fought by Amazonian swimsuit models with machine guns, and he’s not too far off.