The terminal sound system is electronic & acoustic sound production and found-video resynthesis by s.klein and an army of robots, keeping time for armageddon. The tss lives in melbourne, australia, and loves old jazz, nasty drum'n'bass, epic doom riffs, 90s shoegaze, dogs & science fiction.
Imagine a precisely blended concoction of tight irresistible grooves, chunk fueled bouncy beats, luscious brooding soundscapes, and a bowl of scrumptious glitch. Welcome to the musical world of Opiuo. A self confessed music addict with a light hearted approach to life and art.
Opiuo is at his best whilst hiding from the world, creating fun fueled music. Influences coming from everything, from life changing experiences, to mere cups of tea. Incorporating sounds as varied as jazz, reggae, funk, rock, psychedelia, and down right chunky goodness.
Originally from New Zealand, he now resides in Melbourne, Australia, where he has built an international reputation for his party fueling creations. Many of which have seen worldwide release, and some are being played by the biggest names in the business.
2009 has seen Opiuo go from strength to strength. Having played many of the major summer festivals and supported a multitude of international acts. Stand up, shake down, and get ready for a right ol stomp . . .
FOR DOWNLOADS:
www.junodownload.com . . www.emp3.co.nz . . www.opiuo.bandcamp.com . . www.myspace.com/opiuo
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What started back in the mid-nineties as an experiment fusing youth culture and social action has turned into a multi-faceted, multi-faced creature called Bassnectar. It is the brainchild of Lorin Ashton, and it exists as an open-sourced musical project that is as diverse as it is heavy, as raw as it is meticulous, and as fierce as it is imaginative. Bassnectar combines sound and force with weight while spanning the spectrum of sonic style, covering every genre imaginable, and smashing it all into a collision of intense...
Peon is the alias of electronic producer John Hassell, in which he focuses mainly on Glitch/Wonky beat making. Hassell also performs in Sydney electronic band Seekae and has a solo IDM project 'Vorad Fils'. Peon is one of the founding members of Sydney beat collective 'oneofour' whose monthly mixtapes are available for free download on their myspace : http://www.myspace.com/oneofourbeatcollective
When four friends, Ooah, edIT, Boreta & Kraddy
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All noted fixtures on the West Coast underground
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Team up with a creative vision and positive intentions
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The result is
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A relentless sonic assault on the dance floor of ferocious drums, catastrophic sub bass, and sounds from another world
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It is an unforgiving and punishing physical audio experience that will leave your body beat to the core and your soul wanting more
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It is the gift of music from this four man hit squad with the intention to unite the masses on the dance floor through trying times
Lindsey R. Green (a.k.a. Audiovoid / LayerZ) grew up in Healdsburg, a small town in Northern California. From involvement in Death Metal band "Lamia" and journeying to IDM, Techno,Psy-Trance, Breakbeat and Electro. Audoivoid never limits himself to just one genre of music.
Groups like 'The Orb' and 'Art of Noise' were also early influences. In 2002 Lindsey compiled 80 minutes of material from various demos and created his first full length CD, "Twilight Machine". In 2003, Ultra Records nominated him a top finalist for a remix he did of Sasha's 'Wavy Gravy'.
ModeSKELetor is a typo! Fix your Artist-Tag. Have a look here -> http://www.last.fm/music/Modeselektor/
edIT, Ooah, and Boreta are The Glitch Mob, the straight crunkest bunch of music masters this side of oblivion; their sets of the dirtiest, stickiest, nastiest, most insane bass licks make dancers' brains explode.
The Glitch Mob is dropping the filthy sounds of the future up and down the West Coast and around the globe, crunking out crowds left and right and conquering the bodies of all who stumble into the insane dance riot that is a Glitch Mob show.
Fourcolor is Keiichi Sugimoto's solo project founded in 1998. Keiichi is one half of the electronica duo Fonica, one quarter of the electro-acoustic group Minamo, and also releases under the alias Filfla. He is the mastermind behind the Tokyo-based label Cubic Music and a producer of soundtracks for the Japanese experimental filmmaker Jun Miyazaki. In his solo project Fourcolor, Keiichi uses computers, field recordings and laptop processed guitars...
Formed in Wellington - New Zealand in 2007, Ornithologist was initially conceived in jest as one of the 2 fellow Akaname members' many hypothetical side-projects (most of which would usually get lost among the "what-if's" of hazy late night bong-theory). The crux: instrumental interpretations of birdsong - composed of the silliest imaginable guitar gymnastics played in tandem over cheesy retro drum-machine programmes; with a kink somewhere between 80's electro-pop, 90's trip-hop and all metal sub-genres conceivable; all to be performed live while adorning silly bird masks.