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Juzzie Smith

Juzzie Started playing the harmonica at 13. By 23 he had won the coveted Golden Harmonica at the Tamworth Country Music Festival, and the Byron Bay Blues Blowout twice. He has in the course of his musical journey embraced and mastered a range of instruments, and absorbed influence from some diverse musical styles. Juzzie has played in a lot of bands, some fantastic and some forgettable, and performed with some of Australia's best musicians, including John Butler, Damon Davies, Jodi Martin and Jeff Lang.

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The Crooked Fiddle Band

The Crooked Fiddle Band are a four-piece from Sydney, Australia who formed in late 2006. acoustic and mainly instrumental, tCFB are influenced by / include Eastern European, Celtic and USA traditional material in their punked up compositions. Instrumentation includes violin, double bass, drum kit, guitar, bouzouki, mandolin, charango, hand percussion, cello. Free downloads are available from the Triple J Unearthed site and their Myspace. Links for buying their music are available through their official website: http://www.crookedfiddleband.com.

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Abaji

Abaji is a Lebanese-born multi-instrumentalist, singer, and composer. "When I was ten or eleven, I got really involved with sounds. Not just the guitar, but the sounds themselves.” From a musical family—Abaji’s Armenian grandmother played the oud (lute), his great-grandmother the kanun (zither), and his six maternal aunts were all passionate and contentious musicians. Abaji started playing and experimenting on an inexpensive Chinese-built guitar alone in his Beirut bedroom...

Dead Can Dance

Dead Can Dance is a band formed in Melbourne, Australia in 1981 by Brendan Perry (baritone) together with Simon Monroe and Paul Erikson later to be joined by Lisa Gerrard (contralto). They disbanded in 1998, and temporarily reunited to do a highly successful world tour in 2005 with a view to recording another studio album together. In order to concentrate on their solo careers and due to ongoing personal differences between Perry and Gerrard, the project was, however, put on hiatus.

Hanggai

Hanggai is made up of young musicians from Beijing and from the Inner Mongolia Mongol Autonomous Region in modern day People's Republic of China. Satisfying the demand for the romanticized and mysticized Mongolian music in China, Hanggai presents Mongolian folk songs in conjunction with western and Chinese influenced drumming and other techniques (albeit with some sacrifice to lyrical clarity), hence makes the traditional Mongolian art more comprehensible to foreigners in China and the west.

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Omar Souleyman

Omar Souleyman is a Syrian musical legend. Since 1994, he and his musicians have emerged as a staple of folk-pop throughout Syria, but until now they have remained little known outside of the country. To date, they have issued more than five-hundred studio and live- recorded cassette albums which are easily spotted in the shops of any Syrian city. Born in rural Northeastern Syria, he began his musical career in 1994 with a small group of local collaborators that remain with him today. The myriad musical traditions of the region are evident in their music.

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Ganga Giri

Ganga Giri mixes red natural elements with fat tribal beats and dirty funky bass lines to create a unique tribal-technological deep earth dance experience. Explosive and pulsating, at times ambient and flowing, the music is a pumping percussive multi-layered experience of complex grooves and raw, deep natural sound. Ganga himself is a rhythmic didjeridu virtuoso and percussionist -- an inspired music creator whose passion brings people together in celebration of nowness in newness, a modern day corroboree for all!

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Ana Moura

Portuguese vocalist Ana Moura, whose soulful and riveting interpretation of her land's captivating fado style has made her a star in Europe. Ana Moura has become a leading exponent of this poetic, deeply expressive idiom which personifies the Portuguese psyche as it explores such universal themes as lost love, separation, and longing. As Ana explains, "It's very special because it's all about emotions and feelings. It needs no translation."

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