Indie Rock | Musicosity

Death from Above 1979

Death from Above 1979 are the Toronto-based duo of Jesse F. Keeler on bass/synths and Sebastien Grainger on vocals/drums. Refusing to employ a lead guitarist, they played loud synth infused dance punk on the drum and bass combination alone. Originally named just "Death From Above", the duo changed their name after a legal dispute with New York City dance-punk label Death From Above (known as DFA Records since the September 11, 2001 attacks).

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Stock Exchange

STOCK EXCHANGE (formerly The Cameramen) are a four piece band, three members are from the Adelaide Hills. One isn't. They have been described as a young and enthusiastic group of multi-instrumentalists, who craft a surprising emotion evoking sound blending post-punk, baroque pop, jazz, folk and experimental influences. In the past year Stock Exchange have performed with artists such as Stonefield, Bearded Gypsy Band, The Warsaw Pact, Son of Dad, Jack Radford and Saturday's Army. Venues performed in include Fowlers Live, Higher Ground theater, The Promethean and Jade Monkey.

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Fleet Foxes

Fleet Foxes is an indie folk band which formed in Seattle, Washington, United States in 2006. The band consists of Robin Pecknold (vocals, guitar), Skyler Skjelset (guitar), Christian Wargo (bass, guitar, vocals), Casey Wescott (keyboards, vocals), Morgan Henderson (multiple instruments) and J. Tillman (drums, vocals). They are signed to the labels Sub Pop and Bella Union. Fleet Foxes released the six-track Fleet Foxes EP in 2006, a five-track EP, Sun Giant on April 8, 2008, and their debut full-length self-titled album, Fleet Foxes on June 3, 2008.

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Mystery Jets

Hailing from Eel Pie Island, London, England Mystery Jets are a prog/psychedelia-influenced British indie band who refer to as many genres as they like without being bound by any of them. Formed in 2005, the band consists of Blaine Harrison (lead vocals, keyboards), his father Henry Harrison (guitar, backing vocals), William Rees (lead guitar), Kai Fish (bass) and Kapil Trivedi (drums). Due to health problems, Henry Harrison no longer tours with the band, but is still involved in writing and recording.

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Stealing O'Neal

Whether you’re listening to, watching or hanging out with Stealing O’Neal leave your inhibitions at home. This five piece hail from the sunny streets of Melbourne and are the type who act on an urge & wear their hearts on their sleeves. They write beautifully crafted rock music that takes you on a rollercoaster ride of emotions, but always leave you with a smile on your face. But don’t be fooled by this intro, Stealing O’Neal are a rock band and wail as good as anyone. They have been turning heads across Australia from their music, live shows & eccentric behaviour.

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Ghosts

There are six separate bands who go by the name Ghosts. The first are a Hardcore Punk/Thrash band from Sydney. Taking influence from bands like Ceremony and Kirk Van Houten. The second were a four-piece melodic rock band from England, formerly known as Polanski. They signed to Atlantic Records in September 2006 and released their debut album "The world is outside" on June 4th, 2007. Ghosts have played in the U.K. at V Festival in Staffordshire and Chelmsford. They were busy writing and recording their second album in a Swedish island of Marstrand however nothing became of it.

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I Am Kloot

I Am Kloot are a band formed in Manchester, England in 1999 by John Bramwell (guitar/vocals), Peter Jobson (bass) and Andy Hargreaves (drums), notable for their twisted, witty lyrics. Their Debut single To You on Ugly Man Records was produced by and featured backing vocals by Guy Garvey, lead singer of Еlbow. Debut album Natural History was released in the United Kingdom in March 2001 on Wall of Sound offshoot We Love You, followed by I Am Kloot in September 2003 on the Echo label.

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Vampire Weekend

Vampire Weekend is an indie rock band which formed in February 2006 in New York City, New York, United States. The band consists of Ezra Koenig (vocals, guitar), Chris Baio (bass) and Christopher Tomson (drums). Rostam Batmanglij has left the band in early 2016 to begin solo career, but will continue to collaborate with Ezra. The band has released four albums: "Vampire Weekend" (2008), "Contra" (2010)","Modern Vampires of the City" (2013) and "Father of the Bride" (2019). The band has gained positive comparisons to such artists as Paul Simon, Haircut 100 and The Walkmen.

Vampire Weekend received much buzz from local blogs throughout 2007 during their rise to a record deal with indie label XL Recordings. Rolling Stone placed Cape Cod Kwassa Kwassa at number 57 for the top 100 songs of 2007.

The band's debut album, "Vampire Weekend" was released on January 28. 2008. It was a surprise success, peaking at #17 on the Billboard 200.

Their second album "Contra" was released on January 12, 2010. It contains the single "Cousins". The album debuted at #1 on the Billboard 200, only the 12th independently released and distributed album to achieve such a feat.

They are self-proclaimed "specialists in the following styles: 'Cape Cod Kwassa Kwassa', 'Upper West Side Soweto', 'Campus', and 'Oxford Comma Riddim.'"

The name "Vampire Weekend" comes from a movie that Ezra Koenig made in the summer of his freshman year at college. You can watch the trailer on Youtube, here.

Their official site is http://www.vampireweekend.com/

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Wolf Parade

Wolf Parade is an indie rock band from Victoria, British Columbia, now based in Montreal,QC. Wolf Parade was formed when Spencer Krug (also Sunset Rubdown, Frog Eyes, Moonface and Swan Lake) was offered a gig supporting Arcade Fire. He called Dan Boeckner (formerly of notable B.C. band Atlas Strategic, now also part of Handsome Furs) and they wrote songs with a drum machine before calling Arlen Thompson to play drums. Hadji Bakara joined in 2004. Dante DeCaro (formerly of Hot Hot Heat and currently of Johnny and the Moon) joined in Summer 2005 as second guitarist and percussionist.

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Zulu Winter

http://therecommender.net/2011/09/22/zulu-winter/
We’re all aware of the term ‘buzz band’, right? It’s something applied to emerging artists who are riding the (usually online) cultural chatter, the ‘band of the moment’ if you will. It’s obviously a horrific title to apply to any new band, as although it suggests excitement among the taste-makers, it’s likely to burn bright, but ultimately burn out as fast as it arrived. It’s temporary. It’s brief. It’s deadly and no bands want their hard work to be labelled as something that’s so instantly due for rapid decline.

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