The Sidewinder Sextet is a group of studio and jazz musicians who have gathered together to pay homage to the sounds of the Blue Note Record label. Expect to see Them performing at a venue in Melbourne soon!
Powerhouse & soulful blues at its best from singer/ songwriter drummer/ guitarist Tim Stout & band
Georgia Rodgers has fused her many years of playing and learning the guitar with an authentic vocal style.
Leaning into her dynamic guitar playing, she is slowly but surely developing a discography of music that abstains from the stereotypical verse, chorus, verse structure of song writing.
“I’m basically a singer/songwriter,” says Georgia, “but I am more-so taking people on a dynamic journey through a song. With more of an emphasis on a composition as opposed to your typical verse, chorus, verse.”.
Although evident in the music she has released and the live performances she has showcased, she admits that the sound she is creating is a work in progress.
“I’m still kind of finding what sound I want to put out there,” says Georgia, “I’m so much more comfortable behind a guitar than my vocals because I’ve always fallen back onto being a guitarist. I learnt guitar for a long time and then singing just became a part of it, so I depend heavily on that. I can write nice lyrics it’s just the way of how I can best suit that and include the work I’ve done as an instrumentalist as well.”
However, this journey to find a sound she is content with releasing and performing lends to the style of music she creates. The dynamic nature of her pursuit of establishing such a sound is also woven into her music with complexity. A process she pins down to experimenting with layering and ebbing and flowing between stripping a song down and building it up again.
“A lot of it is layering,” says Georgia “So I might play a song live that goes for eight minutes, and a lot of it is a little bit of atmospheric layering and it is kind of floaty and then the next song I might play might start with just the one note, the root note of the chord and then progress into playing the full chord.”
“It’s just stripping back and then including in other songs that layering to build that dynamic and then dropping it down and doing that to draw people in.”
When it comes to her compositions, she also places a significant importance on including any iota of a live resemblance or authenticity that might arise in a recording setting.
“I like a live-ish feel to my songs.” Says Georgia, “I’ve always been very particular in the recording. The next single I’m releasing I want to sound awesome, but if it’s not capturing that live element, I can’t see it as the song. I can see it as a good song, but without that live element, that’s not what I want.”.
In her most recently released single ‘Hold On’, the emphasis on replicating a live sound is abundant throughout the velvety and dreamlike near six minutes. Georgia iterates that minimising the number of vocal takes in conjunction with utilising a damaged guitar pedal resulted in the rich, dynamic and authentic sound.
“The last time I recorded I did one warm-up vocal take and then I did another one and finally one more and after that I was like ‘nup, that’s dead now’, that was the live one. If there is a note that is a bit off, or some element of it being quite live, authentic, or honest I don’t really care.
“So, the start of the song I recently recorded, I had bought this pedal from cash converters, and it was completely a piece of crap and I thought it was awesome. It was leaking battery acid. When I clicked it on it made this cool crackling, almost like a needle on a record sound.
“The engineer ended up asking me if I wanted to cut that out, but I was like ‘no way’. Instantly that was a sound that’s not the song, it was something that can be that authentic, you’re in the room feel. I think it’s hard conveying your songs in the studio.”
For her forthcoming gig at the Wesley Anne on Friday September 30, Georgia has pieced together an arrangement that is set to amplify her dynamic storytelling. A set that is due to fluctuate between a big band supporting her and individual renditions of songs.
“I’ve got a launch for that single ‘Hold On’ on Friday September 30 at the Wesley Anne in Northcote. I’m performing with a band, which I have never done, at least in a rehearsed setting. I’m going to have a few backing vocalists, a cello, a double bass, and a drummer, possibly with some piano too.”
Ryland Peter "Ry" Cooder (born March 15, 1947) is an American musician, songwriter, film score composer, record producer, and writer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in traditional music, and his collaborations with traditional musicians from many countries.
Cooder's solo work draws upon many genres. He has played with John Lee Hooker, Captain Beefheart, Taj Mahal, Gordon Lightfoot, Ali Farka Touré, Eric Clapton, The Rolling Stones, Van Morrison, Neil Young, Randy Newman, Linda Ronstadt, Vishwa Mohan Bhatt, David Lindley, The Chieftains, The Doobie Brothers, and Carla Olson and The Textones (on record and film). He formed the band Little Village, and produced the album Buena Vista Social Club (1997), which became a worldwide hit; Wim Wenders directed the documentary film of the same name (1999), which was nominated for an Academy Award in 2000.
Cooder was ranked at No. 8 on Rolling Stone magazine's 2003 list of "The 100 Greatest Guitarists of All Time",[2] while a 2010 list by Gibson Guitar Corporation placed him at No. 32.[3] In 2011, he published a collection of short stories called Los Angeles Stories.
Formed in early 2016 from a most unlikely late night encounter, The Dead Amigos have been unrelenting in spreading their unique blend of bluesy stoner rock with underlays of psychedelic and funk across the Melbourne and St Kilda music scenes.
The Vineyard, Prince of Wales, the Espy, Cherry bar, Revolver, Evelyn hotel, Brunswick hotel and the Tote are among the many iconic venues the boys have frequently graced in their short time together. On top of this, the St Kilda rockers ‘Lets Get Twisted’ tour brought the new gospel of their sound to rocking places such as Frankies Pizza in Sydney and the Bearded Lady in Queensland.
Now preparing to unleash their debut album with producer Tyson Fish (The Living End, Dropkick Murphys, Bad//Dreems), The Dead Amigos are showing no signs of slowing down as they continue to bring a unique blend of St Kilda rock n roll to the masses.
After gigging around Australia, Chris Cheney's right-hand-man Andre Warhurst is releasing his debut album, This is Andre Warhurst out via Rubber Records. Join Andre Warhurst & The Rare Byrds for an afternoon full of blues-infused tunes, celebrating the release of Andre's album.
We're also extremely lucky to be joined by Hamish Cowan from Cordrazine (also Rubber Records) and Lalu.
Northcote Social Club strives to create a safe space that everyone can enjoy.
Crowd surfing & dangerous behaviour will result in removal from the venue.
Blue Moon Marquee writes and performs original compositions influenced by anything that swings, jumps or grooves. A.W. Cardinal (vocals/guitar) and Jasmine Colette a.k.a. Badlands Jass (vocals/bass/drums) have played for a vast gamut of crowds at jazz clubs, Lindy Hop dance halls, folk venues, blues haunts, hospitals, prisons, markets, motorcycle joints, dive bars and prestigious festival stages.
Colette not only commands the upright bass but also brings the rhythm with her feet on a custom foot drum kit, all while singing in her signature honey-dipped tone. Cardinal’s distinctive and soulful vocals barrel out like a raging bull while his guitar crackles with the swinging energy of jazz-tinged blues.
Lady Lyon writes their songs like they make love. Pure, Threatening, Sumptuous nostalgia for the heart that will linger in you long after your feet stop the inevitable two step.
Cowgirl Blues at its finest.
Members
Hayley Lyon
Reece Grogan
Ross Tipper
Helen Henry
Mark Piccles
Australian Acoustic Soul and Blues
Australian singer, Julie O'Hara is a freelance performing and recording artist from Melbourne.
Julie O’Hara, is a veteran of the Melbourne music scene, performing since the late 80’s.
Julie began her professional jazz singing career as a teenager with residencies enabling her to work with some of the county’s finest jazz musicians. The desire to evolve musically to communicate with her peers began in those early years, inspired by the musicianship around her.
Now an established musician, songwriter and recording artist, Julie has regularly toured Europe, Asia and Australia, playing at jazz and music festivals or performing as a guest vocalist, (The Cat Empire, Hoodangers, The Pearly Shells, Mistaken Identity). Although Julie performs predominantly jazz music, she also writes for pop, bluegrass, hip hop, R&B, neo soul, country and EDM.
Julie writes songs across various genres, having freelanced in different musical scenes for almost thirty years. Julie features on over thirty recordings, including Aria award winning album,
‘Cities’ by The Cat Empire and ‘Midnight Sun’ with George Washingmachine (nominated for a Bell Award for best jazz vocal album). Julie has won numerous song writing awards for jazz, contemporary pop and EDM.
Julie works as a music educator, lecturing in jazz and contemporary voice and improvisation at the Sir Zelman Cowen School of Music at Monash University and teaches song writing at Melbourne Graduate School and Monash University.
Julie has a background in Speech Pathology and voice science. Julie has taught singing, song writing and improvisation at NMIT, VCA, Melbourne Conservatoire, Melbourne Polytechnic, Victoria University and RMIT.
Julie is currently studying Estill Voice Mechanics and music production.