Country Rock | Musicosity

Country Rock

The Eagles Story

The Eagles Story – Australia’s Premier Eagles Experience

The legend that is The Eagles now lives on through The Eagles Story.
For more than 10 years, The Eagles Story has taken audiences around Australia, on a journey to relive the amazing music of The Eagles. Through their scintillating harmonies, that recreates to perfection the vocal arrangements created by the band, to the purity of the musicianship; The Eagles Story takes this tribute to a new level, rarely seen.

In a musical landscape littered with close enough is good enough, the commitment to replicating the true west coast, Eagles sound, live on stage by the five members of The Eagles Story is never ending. The respect for the original by members, Pete McCarthy, Gary Young, Steve Wells, Paul Gales and Norm McNaughton, is the driving force that continues to ensure that each in their own right continue to take it to the limit. Hit after hit comes flooding from the stage as musical memories are re lived in this not to be missed salute to a legendary treasure..

The story of The Eagles lives on through The Eagles Story!

Check out their Show Dates page for all performances where you’ll be able to come share the magic!

Hayli

Following on from her successful 3 single run in 2022, Hayli has released 'Sometimes'. Sometimes tells the story of leaving behind a toxic relationship to focus on yourself. This relationship could be anyone... family, a friend, or even a lover. The message is that you deserve better. You can hear Sometimes LIVE at one of Hayli's east coast shows over the winter.

Hayli is a Indie/Pop/Country/Rock artist based in South Australia. Debuting in 2022 with her single ‘Mustang Crescent’, the Australian singer songwriter has finally revealed the secrets of her lyrics book.

Over the past years Hayli has composed her own lyrics, dedicating her emotive creativity to the “note section” of everyone’s lives. From love, to hate, to impartial romances, misfortune, family and sassy expression; Hayli ambiguously tells the stories of both herself and those around her.

Hayli works as a co-writer with young upcoming artists and collaborates with many musicians as a session vocalist, violinist and pianist.

Hayli started producing her own music with Palomino Sound Recorders at the beginning of 2021, before shifting to an independent approach in 2022 with Jam House Studios. She has worked with respected global musicians including Steven Jeffery (AUS/USA/Atlas Genius), Fred Eltringham (US) and Govinda Doyle (Aus). The 12 month project of bringing life to Hayli’s lyrics book has landed her with 3 singles and an EP underway.

Waz e James

Waz enters his second year of its collaboration with Andrew Pendlebury who has now settled right into the band. They have been working on a new album "Isolated 2020". Covid has seen Melbourne in lock down for the last 4 Months with Waz using the time to get stuck into writing some new songs. What started as a project for the band while in the lockdown with Waz sending demo tracks to Andrew and the rest of the band by phone and the guys sending tracks recorded on smart phone back soon become serious with the songs coming up much better than they thought possible.

With the lock down lifted briefly in June the guys were able to come into the Reo Grande (Waz home studio) and lay the tracks down although, many of the original phone recordings have made it to the record.

The 11 track offering is currently being mixed by Waz's Nephew Zach Zuluaga with help from Glenn Santry and John Philips. Sample the Track "Hard Times" for a taste of whats to become.

Isolated will be Waz's 12th album offering

Featuring:

Waz e James – Vocals and Guitar

Andrew Pendlebury – Lead Guitar

Dougy McDowell - Bass

Scotty Martin - Drums

Scott Darlow

Melbourne-based Yorta Yorta artist Scott Darlow uses his new single ‘Deadly Heart’ to explore the Nation’s ability to really walk as one with Aboriginal and Torres Strait Islander people. A duet with The Jezabels’ Hayley Mary, the new single asks tough questions interested the how you elicit change to work towards a stronger and united future while remembering an important past.

Darlow grew up abroad as his father travelled for work, but this unconventional childhood gave him an insight into always being the outsider. This unique perspective has fed into his music which often explores the complexities of Indigenous and non-Indigenous relations.

“Deadly Heart is something I tried to write that’s parallel and horizontal simultaneously. On the one hand, it’s about a couple just trying to stay together. But it's also about a nation that’s trying to come together. I wrote it through the pandemic, about us as a nation continuing to journey together and listen to each other. To sit and listen to each other's stories, so they can become our stories.”

Darlow says he creates music for his family and his community.

“It sounds silly, but I'm just trying to be the best version of myself that I can be every day. But you know, every day I get up and I want to make a difference for Aboriginal people in everything that I do. I know that sounds cliched, but it's just the truth of it. What can I do next week to make a difference? If I can do that through my music and someone takes away a better understanding of what I’m trying to get across, that’s what it’s about for me. “

For over a decade, Darlow has been a mainstay of Australia’s Indigenous and Independent music industry. His versatility as a singer-songwriter, guitarist, yidaki player and authentic storyteller has made him a fan favourite worldwide. So far, his career has included being the

opening act for Jimmy Barnes and Eskimo Joe, his previous albums selling more than 50,000 worldwide and being added nationally to rock radio multiple times.He was the first act signed to the late Michael Gudinski’s new record label Reclusive Records and with his first album from this new partnership due later this year, 2023 is going to solidify his position as an artist with something to say.

WEDNESDAY (USA)

The members of Wednesday are scattered across town when NME calls them for a Zoom chat. Drummer Alan Miller is at home in Durham, North Carolina, four hours from where the others live in Asheville, his basement still decorated from a recent party. Guitarist and lap steel player Xandy Chelmis is in a bustling café, where he takes breaks from the farm he’s been building, while his playful bandmate Jake Lenderman is hunched in his van in a library car park – “I’ve never been inside,” he quips. And vocalist Karly Hartzman, thoughtful and articulate, is crouched in the “Amish romance” section of a Barnes & Noble bookshop. “I tried to pick a part that isn’t very populated, and I think I found the perfect place,” she says in a hushed tone.

It turns out last-minute home WiFi issues had forced the band into some strange locales, but these background snapshots of North Carolina suburbia are suited to our conversation about Wednesday’s music. On their third album ‘Rat Saw God’, out April 7, Hartzman tells tales of her adolescence and childhood that are full of specific details of small town life, whether amusing or brutally morbid. It’s a coming-of-age story set in the American South, soundtracked by gritty, rip-roaring country-rock.