WEDNESDAY (USA)
The members of Wednesday are scattered across town when NME calls them for a Zoom chat. Drummer Alan Miller is at home in Durham, North Carolina, four hours from where the others live in Asheville, his basement still decorated from a recent party. Guitarist and lap steel player Xandy Chelmis is in a bustling café, where he takes breaks from the farm he’s been building, while his playful bandmate Jake Lenderman is hunched in his van in a library car park – “I’ve never been inside,” he quips. And vocalist Karly Hartzman, thoughtful and articulate, is crouched in the “Amish romance” section of a Barnes & Noble bookshop. “I tried to pick a part that isn’t very populated, and I think I found the perfect place,” she says in a hushed tone.
It turns out last-minute home WiFi issues had forced the band into some strange locales, but these background snapshots of North Carolina suburbia are suited to our conversation about Wednesday’s music. On their third album ‘Rat Saw God’, out April 7, Hartzman tells tales of her adolescence and childhood that are full of specific details of small town life, whether amusing or brutally morbid. It’s a coming-of-age story set in the American South, soundtracked by gritty, rip-roaring country-rock.