Dance/Electronic | Musicosity

Dance/Electronic

The Crystal Method

The Crystal Method is an American electronic music act formed in Las Vegas, Nevada, by Ken Jordan and Scott Kirkland in the early 1990s. They were pioneers of the big beat genre and their music has appeared in numerous TV shows, films, video games, and advertisements. Their 1997 debut studio album Vegas was certified platinum in 2007, and saw follow-ups Tweekend, Legion of Boom, Divided by Night, and The Crystal Method. In 2017, Ken Jordan retired from music and left the group, with Scott Kirkland adopting The Crystal Method as a solo moniker.

The Crystal Method originally had two members, Ken Jordan and Scott Kirkland. Before The Crystal Method was formed, Jordan and Kirkland started working on music while working at a grocery store. Jordan was also a local DJ in Las Vegas as well as the college radio program director at UNLV. Jordan taught Kirkland how to DJ, and when Jordan moved to Los Angeles to work for a producer, Kirkland took over his job DJing at the local club. Kirkland also moved out to Los Angeles, and they formed The Crystal Method in 1993.

While working as a production duo for a rapper, a person named Crystal would handle transportation needs. The rapper repeatedly referred to her method of transportation as "The Crystal Method." The pair adopted the name based on the layout of the three words and the sound of the name.

Boy Harsher

Boy Harsher is an American electronic music group, formed in 2013 in Savannah, Georgia. Currently based in Northampton, Massachusetts, the band consists of vocalist Jae Matthews and producer Augustus Muller. The band has amassed a cult following since their formation,[1] and their song "Pain" has become an underground hit.[2][3] Matthews and Muller own and run the label Nude Club, which is exclusively devoted to Boy Harsher and related artists.

Knowing each other from film school in Savannah,[4] Muller and Matthews started the project Teen Dreamz in 2013, which acted as a precursor to Boy Harsher. The project consisted of Matthews performing her spoken word pieces and Muller providing a musical backing. Throughout the year, Teen Dreamz's sound became more danceable, as Matthews's vocals developed into a more expressive singing style. The band renamed their project as Boy Harsher in 2014.[1]

Boy Harsher released its home-recorded debut EP, Lesser Man in the same year. Following their relocation to Massachusetts, the band recorded and released its debut album, Yr Body Is Nothing in 2016 on DKA Records. After the release of 2017's Country Girl EP, the band formed their Nude Club imprint in 2018, re-issuing their catalog. One of the first releases on Nude Club, "Pain II", is a reissue of their 2014 single with a remix by The Soft Moon.[1] Their sophomore studio album, 2019's Careful,[1] was backed by an extended reissue of Country Girl as Country Girl Uncut.[5] In that year, a remix album of Careful, titled Careful Remixes, etc. was also released; it featured remixes from techno producers such as Marcel Dettmann and Silent Servant.[2]

On April 10, 2020, Muller released his debut soundtrack album, Machine Learning Experiments (Original Soundtrack), which featured original scores composed for two short adult films, Orgone Theory and Hydra. The album was issued on Nude Club.[6] In 2021, the band remixed the Perfume Genius song "Your Body Changes Everything." The remix was featured in the album, Immediately Remixes.[7] In January 2022, the band's directorial debut film, The Runner, was released with an accompanying soundtrack. The short film starred Kristina Esfandiari.

Boy Harsher is often labeled as a dark wave group,[2][9] with influences ranging from early forms of industrial to electronic body music.[10] Paul Simpson of AllMusic referred to the band's music as "dark, danceable electro pop" that references synth pop and EBM. He has characterized Boy Harsher's music by its minimal beats and synth textures, as well as by Matthews's dynamic vocals that depict "desire, fantasy, and loneliness."[1] On his review for Careful, Kevin Lozano of Pitchfork listed the band as one of the acts that spearhead the minimal synth scene along with Essaie pas, noting the "brisk drum machine loops, oscillating synths, and Matthews’ haunting incantations" that permeate the album's sound.[11] Lozano has previously described the band as "making coldwave that could turn any space in that quiet town into a seedy nightclub."[12] Michael Lawson of The Skinny thought that the band "straddled the middle ground between melancholic cold wave and regimented synth workouts."[3]

Boy Harsher draws heavily from cinema, theatrics and graphic design to tailor the band's visual imagery;[2][10][13] Matthews and Muller both have a background in filmmaking.[1] They have likened the band to the movies Body Heat and Lost Highway,[14] latter of which was directed by David Lynch, a professed influence on the band.[13] Matthews has expressed appreciation for various female vocalists, including Nico, Circuit des Yeux, Alison Lewis of Linea Aspera, Chelsea Wolfe and Zola Jesus, whereas Muller named Sleep Chamber, Suicide, DAF and Yello as early musical influences on Boy Harsher.[4] Gearwise, Muller mostly employs synthesizers and samplers, stating that he "tries and borrows as much [instruments] as he can for recording."[4] On the band's minimal instrumentation, he said: "I’m obsessed with how successful the minimalism is with 80s music. It’s really a masterclass of what can be done with a drum machine and a couple of synths."[13] A "half-functioning" Roland Juno-106 was used extensively on Lesser Man EP; their live set features synth lines sampled into an Akai MPC, as well as backing tracks.

Anamanaguchi

ANAMANAGUCHI IS PETER BERKMAN (DALLAS), ARY WARNAAR (NEW YORK CITY), LUKE SILAS (LOS ANGELES) AND JAMES DEVITO (PROVIDENCE), ORIGINALLY FORMED IN NEW YORK. THEY ARE A MULTI-FACETED GROUP OF RECORDING ARTISTS & CREATIVE DIRECTORS (I.E. A BAND).

THEY ARE LIVE PERFORMERS & MUSIC COMPOSERS-- IN 2023 SCORING THE CRITICALLY ACCLAIMED NETFLIX SERIES 'SCOTT PILGRIM TAKES OFF' WITH CO-COMPOSER JOE TRAPANESE (TRON: LEGACY, NO ONE WILL SAVE YOU), THE SOUNDTRACK BECAME AN AMAZON TOP SELLER. THEIR LATEST ALBUM [USA] WAS RELEASED ON THE DISTINGUISHED AMERICAN INDEPENDENT POLYVINYL RECORDS IMPRINT.

ANAMANAGUCHI BEGAN SCORING IN 2010 WITH UBISOFT'S SCOTT PILGRIM VS. THE WORLD: THE GAME, RESULTING IN A BILLBOARD-CHARTING SOUNDTRACK RELEASED BY ABKCO RECORDS. THEIR ORIGINAL COMPOSITION WORK HAS BEEN FEATURED IN TV (CBS SATURDAY MORNING), FILM (21 JUMP STREET), VIDEO GAMES (ROCKET LEAGUE, LITTLE BIG PLANET), AND VARIOUS BRANDS (DISCORD, TELFAR, TACO BELL, TARGET).

THE BAND HAS TOURED ACROSS NORTH AMERICA, EUROPE AND ASIA, INCLUDING FESTIVALS LOLLAPALOOZA (CHICAGO), ULTRA MUSIC FESTIVAL (SEOUL & MIAMI), OSHEAGA (MONTRÉAL). THEIR LIVE SHOWS INCLUDE VISUAL SET PRODUCTION FROM BAND MEMBER DEVITO (FOUNDER OF SMOOTH TECHNOLOGY, KNOWN FOR THEIR WORK WITH TAYLOR SWIFT, LADY GAGA).

ANAMANAGUCHI IS AN INTERNET BAND. WHILE THE FOUR MEMBERS PRESENT AS A TRADITIONAL ROCK BAND ON STAGE (GUITAR, BASS AND DRUMS), THEY ARE MULTI-INSTRUMENTALISTS CLASSICALLY TRAINED IN MUSIC COMPOSITION, HOLD DEGREES IN ELECTRONIC MUSIC PRODUCTION, AND HAVE A LESS-INSTITUTIONALLY-RECOGNIZED SPECIALTY IN EARLY VIDEO GAME CONSOLE MUSIC PRODUCTION (SUCH AS NES, SNES, AND GAME BOY).

Tommy Gun

South Sydney local TOMMY GUN slingshots straight to the main stage of the Australian music scene, sharing it with the likes of Thelma Plum and Winston Surfshirt. His last single played on Triple J's Home and Hosed and both of his recent film clips granted a spot on ABC’s Rage.

“Even When” is a song that demands to be heard. Speaking about the song in a press release, TOMMY GUN says “When I was writing the lyrics, I wanted to express the feeling of chasing someone who is emotionally unavailable. The song is about trusting that you will find the person that’s right for you.” Musically, the band pushed boundaries by experimenting with auto-tune, howling guitars and anthemic rock drums to convey the mixture of feelings one gains from offering their heart to a turbulent relationship. Recorded/ Mixed/ Mastered by George Georgiadis (Gang of Youths, Matt Corby, Last Dinosaurs and Ruby Fields) this Sydney super-group will be breathing fresh life into the Australian live music scene, captivating old and new fans.

Bootleg Rascal

Sydney genre-benders Bootleg Rascal have announced their third studio album, ‘Sloppy Seconds’, set for release on October 29 via the band’s own Bootleg Records.

The record will feature both of the duo’s 2021 singles, ‘All About You’ (featuring Saint Lane) and ‘Therapy’ (featuring Citizen Kay and MAXINE), alongside reimagined tracks from 2016’s ‘Asleep In The Machine’ and 2018’s ‘Anómino’, plus EPs ‘Psychotica’ and ‘Collaborations Of Very Isolated Delinquents “19’.

Speaking to The Music, guitarist Jimmy Young said the album’s unique concept was one he’d wanted to explore for some time. “When the world stopped, I started to really think about projects I’ve always wanted to do but never had enough time for,” he mused.

“One thing on the bucket list was to have made a record which embraced the whole ‘something old, new, borrowed’ concept.”

Young cited Sublime as a key inspiration for ‘Sloppy Seconds’, saying the Californian ska band were “a big part of why [he] first started playing music in the first place”. He noted that the posthumous 1997 album, ‘Second-Hand Smoke’, is one Young was particularly enamoured by.

“The record was released not long after frontman Bradley Nowell’s death,” Young explained, “and follows a similar concept where it shines a light on remixed and recycled tracks. It really gives another perspective and take on some of their classics, and as a fan that’s something I really enjoy. Here’s hoping our fans feel the same.”

Tomorrow (August 27), Bootleg Rascal are set to release the third single from ‘Sloppy Seconds’, a Spanish remix of their track ‘Sharks’. The song was first released seven years ago on the ‘Psychotica’ EP.

Austin Millz

Austin Millz has surely surpassed (but not forgotten) his roots as one of Harlem’s hometown heroes and early renegade of its genre-bending art scene. From recently performing at Quincy Jones AKG 70th anniversary to performing for Beyoncé at her special Coachella Homecoming event, Austin has been trail blazing. His music is a deeply textured coalescents of soul and dancefloor euphoria, it emblifies the different phases of a night out - the afterhour bliss, a hazy pastel sunrise. It is an expansion of the sonic vocabulary with depth and boldness that can only be truly captured in the flesh. Applauded for his fusion of hip-hop and dance music, Millz has carved out a special niche between the two realms within his unique vision and has also garnered attention for his larger than life stage presence, which has captured both local and national audiences. With an unruly energy, and an oasis of expressionist energy in live performance, Austin evokes a type of postmodern exploration that questions conventional notions of music and culture. A type of exploration in which one’s brightest light is always upon the horizon. Only watching Austin perform, as he tames every sputtering vibration with a deeply focused effortlessness, does it become clear why he has surpasses the rest.

Dice

DICE have announced their biggest tour yet across Australia & New Zealand to celebrate the release of their debut album Midnight Zoo. The tour will make its way around a mix of regional towns and capital cities, kicking off in September with two shows in Melbourne, before heading to Hyden and Dunsborough in WA, Wellington and Auckland in New Zealand, Sydney, Newcastle, Wollongong, Canberra, Adelaide, Bunbury, Perth, Gold Coast, Brisbane and wrapping up in the Sunshine Coast in October. The band will then head over to the UK & Europe to play headline shows in Amsterdam, London and Bristol, before taking their high-energy and electrifying live show to the states playing in New York, Toronto, Chicago, Denver and wrapping up their huge world tour in Los Angeles.

Sina Bathaie

Sina Bathaie is a Multi-instrumentalist, Producer and Composer with more than 100 million streams on digital platforms. Originally from Iran, he is known for his unique style of playing traditional instruments such as the oud and ukulele and bringing an eastern touch to his electronic music.

Sina has performed at festivals and events including Burning Man, Luminato, Folk Music Ontario, CINARS, and Mundial Montréal.

His single “Breath of Life,” has amassed 20 million streams and achieved charting success in countries including Azerbaijan, Georgia, and Turkey. His single "Seven Ponds" became trending with millions of streams upon release in early 2024.

He has been signed with record labels such as Hoomidaas, Windcatcher Records, Tibetania and Camel VIP and has performed internationally. Sina began learning the santur at the age of seven from his father, Javad Bathaie, and studied Persian music with the instrument Oud.

MorningMaxwell

For DJ / Producer Morning Maxwell, a strong party vibe seems to follow him wherever he goes.
Completely individual in his approach, Max can often be found anywhere the coconut water is, wearing the most colourful clothing in sight. MorningMaxwell resides in leafy Warrandyte in Melbourne, creating funky electronic dance music ranging from chilled hip shakers to house bangers. Passionate about all things house and electronic, Max performs his highly energetic sets often ending up half naked and viciously dancing into the very early hours of the morning. He recently toured around Bali, Fiji and most of Australia and is looking forward to 2020 having already ticked off a Client Liason support and a successful new single release ‘Take It In’.

BIG WETT

BIG WETT isn't just another hot rising star for tastemakers to salivate over. The mysterious Melbourne electro-punk has generated heat with her humorously hedonistic songs about sex, money, drugs, partying and freaky escapades as well as high-energy shows, courting international media. Now BIG WETT is dropping a lascivious debut EP, PU$$Y. But don't expect autobiographical disclosures – BIG WETT doesn't do anything predictable. "The whole point of the project is to shock and offend but also intrigue people," she flexes.

Interviewing a pop prodigy can be like improvisational theatre, the journalist playing a game of cat and mouse. Yet BIG WETT has her own rules. After all, she masterminded those "erotic bangers" EAT MY ASS, NUMBER 1 PUSSY and BAGS (Bitches Ain't Got Shit).

Traditionally many electronic acts have cultivated mystique by concealing their identities and assuming personas, even circulating alternative narratives – the music the focus. But, potential marketing novelty aside, anonymity can be necessarily about avoiding exposure or maintaining boundaries. Indeed, as a female creative who extols sex positivity, her motto "I make songs for sluts," BIG WETT considers privacy paramount.

On Zoom, BIG WETT is playful but assured and direct, greeting with a booming "Hello!" and proclaiming the spring day in her hometown "fucking freezing." The usually secretive blonde, referring to herself as "Wetty", has dispensed with her signature shades and Barbie-pink costumes. "I was gonna wear sunglasses for this interview, but I thought, No, that's rude." Later, she reveals a tattoo of a Rottweiler paw-print.

BIG WETT has no etiological myth – her alter ego existing in the present as she embodies experience, expression and NSFW advisories. But the Millennial admits to having been an only child with a flair for performance. "I always wanted to be the centre of attention – and never had anyone to compete with," she laughs. "So that's how I ended up the way I am, I think." Probe whether BIG WETT has a musical background and she demurs. However, she openly identifies as a queer artist. "I'm pansexual – so, yeah, queer as they come."

BIG WETT as a project originated in 2021 during the COVID-19 pandemic, with the bored Melburnian initially uploading demos on SoundCloud. "I got really drunk and wrote a bunch of really dumb songs in lockdown 'cause I had nothing else to do," she says. In fact, she was influenced by Kim Petras. "I just fucking love her – she's just so iconic… I've said a few times that my genre is 'slut pop', which actually she inspired by her song Slut Pop – which is one of the best songs of all time."

Ever the provocateur, BIG WETT decided to submit the raw af booty bass anthem EAT MY ASS to triple j Unearthed as it was her "most ridiculous" track. She anticipated that its explicit lyrics would be rejected, only to be surprised two weeks on. "I thought, If they don't get that, then they're just never gonna get it – and they got it! So there you go. Fucking oath!" When EAT MY ASS went "semi-viral," BIG WETT found it "hilarious," she continues. "It's all just been very unexpected – and I'm just having so much fun with it." Earlier this year, the entertainer signed to the UK-based Play It Again Sam.