Folk Uke
Folk Uke is Cathy Guthrie, daughter of Arlo Guthrie, and Amy Nelson, daughter of Willie Nelson. The duo has a unique folk-pop sound and catchy lyrics, creative lyrics, notably on their original song, "Shit Makes the Flowers Grow."
Folk Uke is Cathy Guthrie, daughter of Arlo Guthrie, and Amy Nelson, daughter of Willie Nelson. The duo has a unique folk-pop sound and catchy lyrics, creative lyrics, notably on their original song, "Shit Makes the Flowers Grow."
Brisbane based MEMBERS:
Wintah Thompson - Guitars/Vocals
David Hannah - Bass
Ben Whittaker - Drums + Wood Block
He trick-or-treated at Liberace’s house, planned a two-day stay in Amsterdam that ended a month later with him escaping the city under the cover of darkness, and was Bob Hope’s favorite altar boy. Alone, these anecdotes go well with a fistful of peanuts at a cocktail party. But on top of these add that this person also co-wrote the longest-running song on the Billboard Top 100, had a debut solo album that earned three and a half stars in Rolling Stone, and was awarded the title of “San Diego’s Most Influential Artist of the Decade” at the San Diego Music Awards.
(formerly known as Aces High) is a four piece alternative/rock band from the Sunshine Coast. Since forming the band some four years ago, the boys (now all age 18) have excelled in leaps and bounds, playing gigs in pubs and clubs around the coast including the grinning dog (Maroochydore), Billy's Bar (Gympie) and Kawana Hotel. They have also been showcasing their song writing talents in local music festivals like Velocity '08, HomeGrown '09, Shout Out Loud '09, and supporting Melbourne rockers the Skybombers and the Sands Tavern (Maroochydore)...
Mike TV are a pop-punk group formed in 2001 under the name Pickled Dick by Domb Harper, Jhon Cosgrove and Lars Jackson. Several line-up changes have occured since the band's formation with Marky joining on drums in 2004, then being replaced by Nick Reynolds (Riff) in 2006. The Current line-up consists of Domb Harper on bass, Jhon Cosgrove on guitar, Richard Bushby on lead guitar and Glynn Mellor on drums.
Spoonbill aka Jim Moynihan grew up in the bush north of Melbourne, Australia, discovering the excitement of playing the drums at the age of 12. He began playing gigs in pubs before legally being allowed to enter. As the years rolled on he moved into the realm of percussion and then shifted his concentration to electronic production, investing in his first sampler in 1998. He has won a range of audio production awards including the first place and peoples choice award, Electrovision, Melbourne Fringe Festival 2004 & 3rd place 2003.
Phebe and Harry met in 2005 on MySpace and five months later Harry had moved from Bundaberg to Adelaide so they could be together. Harry had been in Brisbane hardcore band Slain of Myself and was a keen piano and guitar player. Phebe had no previous musical endevours, other than the few years of recorder she did in primary school. As a joke they wrote and recorded a few songs Little Stevie and Waltz Of The Fuzzy Peach King and put them up on Harry's music page www.myspace.
Jedd Hughes grew up in the small south Australian town of Quorn. His father loved the sounds of Australian traditional country singer Slim Dusty and American icons such as Johnny Cash and Marty Robbins. When he wasn't listening to music at home,
much of his childhood was spent onstage. At age 8, he won first place at the Port Pirie Country Music Festival. One year later, his dad gave him a few guitar lessons, and by age 10, he was playing a custom-made acoustic guitar.
The Aquabats are a musical ensemble from Huntington Beach, California formed in 1994 known for their humorous lyrics and outrageous live shows, during which the band is often attacked by supervillains onstage. Starting as a parody of the booming third-wave ska scene in Southern California (their first show, reportedly, was played with fourteen members, at least half of which were wielding horns), The Aquabats played third-wave ska with a surfy, b-movie-esque twist that set them apart from the sped-up two-tone/pop-punk mash-ups most bands of the time were playing.