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electronic

Ricardo Villalobos

Ricardo Villalobos is a Chilean-German electronic music producer and DJ. He is well-known for his work in the minimal techno and microhouse genres, and is one of the most significant figures in today's minimal techno scene. Villalobos was born in Santiago, Chile in 1970. In 1973 he moved to Germany with his family to escape the dictatorship of Augusto Pinochet, who had seized power that year. When Ricardo was around 10 or 11 he started to play conga and bongos.

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Twisted Subterranean Death Trap

http://canaworms.com
Patrick Kavanagh - guitar, keys, sampling, programming, vocal effects, loops and treatments.
http://www.myspace.com/twistedsubterraneandeathtrap
Experimental Industrial Deep Down-Tempo Dark Ambient Electro Dreamscapes;
Drones, Loops, Sluggish seething death throes of a monster stuck in molasses rhythm; An all-encompassing feast for the senses; caustic atmospheres build from pure frequency to delve headlong into hitherto unexplored realms of horror and delight.

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Lawrence English

Lawrence English is media artist, composer and curator based in Australia. Working across an eclectic array of aesthetic investigations, English’s work prompts questions of field, perception and memory. He utilises a variety of mediums including live performance, audio/visual environments, found sound/vision to create his work that typifies his interests in creating experiences that create subtle transformation of space and ask audiences to become aware of that which exists at the edge of perception.

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Sarah McLeod

Sarah McLeod is the former frontwoman of Aussie rock band The Superjesus. McLeod is one of the best recognised women in the Australian music scene and is known for her enthusiastic and unique stage presence. She already has three ARIA awards and over 300,000 record sales to her name (from her Superjesus days), and has been to referred to as the "iconic aussie rock chic". McLeod, originally from Adelaide in South Australia, started singing in her late teens.

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Four Tet

Four Tet is the name used by Kieran Hebden (born 1977 in Putney, London, UK) for his experimental electronic music-oriented solo efforts, to differentiate from his work with post-rock band Fridge. Hebden's solo work typically utilises samples lifted from various sources including hip-hop, electronica, techno, jazz, and folk mixed with his own guitar playing. Four Tet shares some stylistic similarities with other musicians, such as Prefuse 73, who use computer editing techniques that give the music a staccato, cut-up feel.

Ryan Davis

Based in his hometown Magdeburg city in Germany, the 24 old guy Ryan Davis is working hard with his friend and label mate Lanny May on creating new sounds. In the age of 9 he started with a classical guitar training till 18.In these years he experienced with sounds from everything wich made a tone. Later he wanted to discover the world of mixing tunes together and become a good dj, but soon he noticed that he had to design his own songs.

Moodymann

Moodymann is the moniker under which Kenny Dixon Jr produces and DJs. He is a techno/house musician based in Detroit. He has created a thoroughly hybrid form of techno/house dance music via his innovative use of reworked riffs, samples and grooves taken from that city's historically influential jazz, soul, funk and disco scene. Some call it cut-up Detroit house. He offers a friendly wink backwards at the innovative early 1990s rave scene musicians through his extensive use of old movie sound track samples, mainly culled from the old blaxploitation and b-movie genres.

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Outsiders

There are more artists that have the name Outsiders. 1. The Outsiders were an American rock and roll group from Cleveland, Ohio, that was founded and led by guitarist Tom King. The band is best known for its Top 5 hit "Time Won't Let Me" in early 1966, which peaked at #5 in the US, but the band had three other hit singles in 1966 and released a total of four albums in the mid-1960s.
Allmusic described the act's style: "Part of the secret behind the Outsiders' musical success lay in the group's embellishments ...

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