electronic | Musicosity

electronic

Hocico

Hocico is a Mexican dark electro band. The band was officially formed in Mexico City, Mexico in 1993 by Erk Aicrag (lyrics & vocals) and Racso Agroyam (programming), but both cousins had been making electronic music since they were fifteen years old. The names are anagrams of the real names Erik Garcia and Oscar Mayorga. Their music can be described as dark and aggressive electronica or more specifically as aggrotech. The lyrics are commonly in English, however, they are sometimes in Spanish. Their logo is a six legged spider with an H on its back.

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Mad Professor

The imaginative recordings produced by Mad Professor (born Neil Fraser 1955, Georgetown in Guyana) demonstrate a mastery of electronic gadgetry. Working from his own studios, Mad Professor has overseen more than two hundred albums including ground-breaking remixes for Massive Attack, Sade, and Pato Banton. Born in Guyana, Fraser earned the Mad Professor tag from his childhood fascination with electronics. At the age of nine or ten he built a radio from scratch. Moving to London at the age of thirteen, Mad Professor continued to experiment with electronics.

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Bachelorette

Bachelorette is the solo delivery vehicle for New Zealand based home recording tinkerer Annabel Alpers, with a little help from her friends Andrea Holmes (ex Fang) and local legend Mick Elborado. Annabel's music career started out venting Christchurch teen frustration in a "beginner indie" band called Mouse. Fortunately, things soon got better. She graduated to keys, guitars and vocals in the much underrated Hawaii Five-O, who were popular in Christchurch for their psychedelic surf sounds and country tinged old school rock‚n‚roll.

Opia

Člen bývalé formace Naše Věc a též bývalý jezdec koncertního seskupení D.O.P., které kromě něj tvoří ještě Jay Diesel a David Steel, member djské crew Illuzionists, jedna polovina producentského týmu Doppel Skoops (+DTonate) a především autor povedené sólovky CUTalogue. Těmito daty by se dal popsal jeden z nejskrytějších producentských pokladů tuzemské scény, brněnský DJ Opia.

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Paul Oakenfold

Paul Oakenfold (born August 30, 1963 in Greenhithe, Kent, England) is a world famous DJ and producer, whose works have helped define the mainstream of trance & elecronica. Not only does Paul Oakenfold produce records, but he also mixes them. In 1987 he spent several months in Ibiza with a few friends and fell in love with dance club music. Oakenfold produced "Happy Mondays' Pills 'n' Thrills and Bellyaches" before producing for U2, Massive Attack, Simply Red and New Order (to name a few).

Kicks Like a Mule

Kicks Like A Mule is a rave/electronic music duo consisting of Richard Russell and Nick Halkes. Their first single "The Bouncer" was a Top 10 hit in the UK Singles Chart when it was released in 1992. Although both Halkes and Russell worked at the XL Recordings label at the time of the single's release (XL being run by Russell to this day), it was released on Rebel MC’s independent Tribal Bass label.

DJ Vadim

DJ Vadim (aka Vadim Peare, real name Andrey Gurov) is a prolific DJ from Russia, based in London. His music combines hip hop and electronica and his recording technique involves very precise sampling as opposed to looping. He signed to Ninja Tune in 1992, and founded his own independent record label, Jazz Fudge in 1995. Aside from DJ-ing, he has worked in numerous roles including A&R, promoter, and radio presenter on the BBC's "Around The World In Eight Relays".

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Twin Shadow

Twin Shadow is the stage name of American musician George Lewis Jr. Lewis was born in the Dominican Republic and raised in Florida, before eventually relocating to Brooklyn and adopting the Twin Shadow moniker. In 2010 he released his debut album Forget, produced by Chris Taylor of Grizzly Bear. The album has been described as "steeped in 1980s new wave", "building from streaks of haunting synth textures" and "hazily new wave-tinged pop". Twin Shadow was the Rolling Stone 'Band of the Week' on October 7, 2010.

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Zulu Winter

http://therecommender.net/2011/09/22/zulu-winter/
We’re all aware of the term ‘buzz band’, right? It’s something applied to emerging artists who are riding the (usually online) cultural chatter, the ‘band of the moment’ if you will. It’s obviously a horrific title to apply to any new band, as although it suggests excitement among the taste-makers, it’s likely to burn bright, but ultimately burn out as fast as it arrived. It’s temporary. It’s brief. It’s deadly and no bands want their hard work to be labelled as something that’s so instantly due for rapid decline.

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