synthpop | Musicosity

synthpop

NUN

There are at least 4 NUN. A) An electropop band from Poland, B) An Emocore band from the Basque Country, C) A hip hop artist from Chicago, Il, D) a dark synth group from Melbourne, Australia featuring members of Constant Mongrel and Woollen Kits A) Nun is an electropop band from Poland.
Their members are Magdalena Kaspryszyn and Olaf Karbowiak. They deliver synthpop danceable music with a lot of uptempo songs, like their first single "Hope", released in March, 2006. Their first album is "Sunlight", and it has been published in 2006.

Point of View

There are at least 5 bands with the name Point of View: 1. Point of View(POV) is a German synthpop band formed in the mid 90's. 2. Point of View is also a progressive rock/metal band residing in Poland with three releases to their credit. 3. Point of View also is a Belgian positive hardcore band who brings you Oldschool Beatdown ! 4. Point of View is the greatest pop punk band alive and are from northeast pa. you like blink like them.

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Puerto Rico Flowers

Bass/Drums/Synthesizer/Vocals found here. Slow songs not unlike a skinhead crying. John Sharkey III wrote and recorded them. He lives in America and Australia. Yes, he used to be in Clockcleaner but he also used to be a smoker. He gave that up a long time ago. Performances are seasonal and enjoyable. Thank you.

Umpire

Based in Perth, Western Australia, Umpire was formed in 2006 as a studio songwriting and recording project, where Simon Struthers, Geoff Symons and Michael Lake had the opportunity to utilise the studio as an instrument, developing their songs without the pressures of playing as live band.Australian audiences first became familiar with the band via with their debut single ‘Streamers’ off their self-titled EP in 2009. 'Streamers' achieved widespread critical acclaim, national airplay and won WAM Song of the Year in 2009.

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The Scientists of Modern Music

TSOMM (for the abbreviation) are a synth bomb, the fallout being incredible tron-pop, beat driven glam-rock fronted by melody making, flesh and blood drones. With deep, rhythmic electric guitar hooks, crispy clean black and white outfits and more vocoders than you can poke an antenna at, these two take their audience on a journey that starts with a ramp and drives through the still clean disco to the fragmenting and decaying sounds of the future.

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Heaven 17

Heaven 17 is a British synthpop band originating in Sheffield, South Yorkshire, England, United Kingdom formed in 1980. Taking their name from a fictional pop group mentioned in Anthony Burgess's novel A Clockwork Orange (where 'The Heaven Seventeen' are at number 4 in the charts with 'Inside' [1]), Heaven 17 formed when Ian Craig Marsh and Martyn Ware split from their earlier group The Human League and formed production company British Electric Foundation (BEF). Shortly after, they recruited their good friend and photographer Glenn Gregory on vocals to complete their lineup for Heaven 17.

St. Lucia

Even in the urban wilds of Brooklyn, there may be no one else like Jean-Philip Grobler, aka St. Lucia. Originally from Johannesberg, St. Lucia grew up performing with the Drakensberg Boys Choir School. When the choir wasn't traveling - they toured Japan, Australia, Europe and more - they stayed in an enclave tucked in the South African mountains, learning everything from Bach to minimalist opera.

Hurts

There is more than one band with the name Hurts: 1. Manchester, UK electro-pop duo Theo Hutchcraft and Adam Anderson .
Formed in 2009, elegant and enigmatic HURTS have their sharp suits, slick hair and stark visuals. Theo and Adam present a striking contrast to the glow-in-the-dark pop stars who have run amok across the charts of late. Looking like they would rather be on the cover of Vogue Hommes than NME or Smash Hits, the pair resemble Tears for Fears as shot by Anton Corbijn.

Assemblage 23

"Assemblage 23" is a one-man futurepop/ebm project, whose sole member is musician Tom Shear, based in Seattle, Washington, USA. Prior to starting Assemblage 23, Shear experimented with music under the name "Man on a Stage", beginning in the early 1980s. Most of Shear's music at this point was instrumental, as he lacked the confidence to sing; the quality of the music itself was highly questionable by his own admission. Shear eventually began to add vocals to his music; at the same time, Shear was also playing bass in a punk band called the "Advocates".

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