The terminal sound system is electronic & acoustic sound production and found-video resynthesis by s.klein and an army of robots, keeping time for armageddon. The tss lives in melbourne, australia, and loves old jazz, nasty drum'n'bass, epic doom riffs, 90s shoegaze, dogs & science fiction.
After years in the making here at last is Illumination, the fully realised debut album from Melbourne’s favourite psychedelic indie-electronic adventurers Miami Horror. With Illumination, Miami Horror has delivered on two years of teeth-cutting live shows and an ever escalating wave of buzz that’s made the group bonafide blog darlings the world over. But what’s most amazing about the grand arrival of Illumination is that the roots of the record stretch back countless moons to when Miami Horror began...
With irrepressible spirit and a devotion to celebration, Australian quartet Confidence Man specializes in campy, addictive dance anthems indebted to forebears like Deee-Lite and Tom Tom Club, as well as early-2000s alt-disco acts like Scissor Sisters, Fischerspooner, and CSS. Hailing from Melbourne, the Brisbane-based group was formed by members of indie/psych-rock bands the Belligerents, Moses Gunn Collective, and Jungle Giants. Janet Planet and Sugar Bones handle the vocals, while the mysterious Reggie Goodchild (synths) and Clarence McGuffie (percussion) remain in the shadows, under veils that protect their identities. With a wink and a strut, Confidence Man made their debut in 2016 with the single "Boyfriend (Repeat)," which they modeled after Brigitte Bardot's "Contact." After signing with Heavenly Recordings in 2017, they issued additional singles "Bubblegum" and "Better Sit Down Boy," which all appeared on their 2018 debut full-length Confident Music for Confident People (Heavenly/PIAS). Influenced by Talking Heads, Fatboy Slim, Groove Armada, and LCD Soundsystem, the set also included "Don't You Know I'm in a Band." ~ Neil Z. Yeung Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
The Psychonauts are Paul Mogg and Pablo Clements. Two school friends from Yeovil in Somerset. They became friends through a shared love of hip hop and disco. They started a club night known as the Night Of Cookers and mixed up hip hop, house and techno. After making a mix tape and sending it to Tim Goldsworthy (now of the DFA), who was working at Mo'Wax at the time, they moved to London. They mixed the notable James Lavelle Cream Live mix as well as his Tribal Gathering mix. In 1998 they managed to fit most of the Mo'Wax back catalogue into a 40 minute mix known as Time Machine.
///▲▲▲\\\ http://www.myspace.com/_v_o_i_d_
Ghosts On Broadway is an up and coming 6 piece band from Sydney's West. Combining a mixture of pop punk and hardcore, the boys will definately be hitting a stage near you soon. With plans to record an EP and tour national, Ghosts On Broadway, will be very busy for the next few months
With sound histories in the musical realm, brothers Joshua (voice) and Ben (synths) manifest digital and analogue ideas; one part divine inspiration, one part machine translation. Together they create grand poetic electronica, with its own future echo. On stage drummer Robbie makes his own waves, and the trio is complete.
Chrome Hoof are an experimental orchestra based in London, England. The group was formed in 2000 by Cathedral bassist Leo Smee and his brother Milo Smee. Initially performing as a duo, their music was mostly electronic. Since the start, however, the group have continuously recruited new members playing various instruments. As of 2007, the group have about ten members and instruments such as saxophone, trumpet, bassoon, violin, guitars, bass and drums.
South Central Described variously as: a Post Glitch; Indie/Electro; Dance-Rocktronica band. Based in Brighton UK these producers work autonomously or with a band live and have carved out a niche converting new Indie Rock tracks to the dance floor. These are trade marked by their intense electro-glitch laden intro's combined with guitar riffs inspired by cited influences such as the Fall, Banshees, Pavement and Interpol.