Musiq Soulchild (born Taalib Johnson on September 16, 1977 in Philadelphia, Pennsylvania), is an American, neo soul and R&B artist, and was one of the most popular artists on the Def Jam/Def Soul label. Since 2001, he has gone by simply "Musiq", he dropped the "Soulchild" from his moniker, because he said he had not mastered his craft yet, and thus was not yet "music's soulchild". Since 2007's "Luvanmusiq," however, he has reclaimed the surname.
The Weight is: 1) Country / Soul / Powerpop band from NYC - http://www.myspace.com/theweightnyc/
Members include: Joseph Plunket, Uncle Will Noland, Jay Ellis, Fletcher "Poor Boy" Johnson, and Johnny Carpenter 2) A Progressive rock band from Sweden consisting
Rikard Sjöblom (lead vocals, keyboards), Petter Diamant (drums), Robert Hansen (bass) and Mattias Finn (guitar).
They had released one album in 2005.
Space Invadas is duo from Australia: Katalyst - a Sydney-based award winning producer signed to BBE & Invada Records, and from the UK, Steve Spacek - the acclaimed voice behind the ground-breaking genre-pushing group Spacek (championed by everyone from Entertainment Weekly to Mos Def). Their award winning collaboration, "How Bout Us" was one of Gilles Peterson's top 20 tracks of 2008. Their forthcoming album is entitled "Soul-Fi".
Known as Los Angeles' "ambassador of boogie funk," DâM-FunK represents the citizens of the Funkmosphere. Headquartered in the Culver City section of L.A., DâM (pronounced 'dame' as in Damon) spent the last few years cultivating a musical renaissance rooted in the early-80's styles known as boogie, modern soul and electro-funk. As a DJ/selector, DâM-FunK attracts the most discerning boogie funk aficionados within driving distance of his storied Monday-night Funkmosphere parties. But it's not just collectors at the bar toasting to the melodic sounds.
Jimmy Barnes (b. 1956) is an Australian rock singer.
Barnes was born James Dixon Swan on the 28th April 1956 in Glasgow, Scotland, and moved to Australia with his family when he was six years old.
He first came to public attention as the lead singer with popular Australian pub-rock band Cold Chisel, which he joined in 1973 and with whom he recorded seven albums between 1978 and 1983. When the band split up in 1983 he launched a solo career almost immediately; his first album, Bodyswerve, entered the Australian charts at number one. It was the first of a remarkable run of top charting albums for Barnes, as each of his first six solo albums entered the charts at number one, a feat that no other Australian artist is likely to match.
In 1986 Barnes recorded two singles with INXS, duetting with that band's singer Michael Hutchence on a cover of The Easybeats' "Good Times", and "Laying Down the Law", which was co-written by Barnes with INXS members Andrew Farriss and Hutchence. "Good Times" was used as the theme song for the Australia Made series of concerts that toured the country in the summer of 1986-1987. Both songs later appeared on the soundtrack of the 1980s teen vampire film The Lost Boys.
Following Hutchence's death in 1997, Barnes appeared live on stage with INXS at shows throughout Australia between 1999 and 2001.
His album Double Happiness, released in July 2005, reaffirmed his popularity, entering the ARIAnet albums chart at number one, his seventh album to do so. Barnes was inducted into the ARIA Hall of Fame on the 23rd October 2005 for his solo career efforts. Coupled with Cold Chisel's previous induction, Barnes is the only artist to be entered into the Hall of Fame twice.
Barnes is also the father of singer David Campbell, who recently starred in the Australian production of the musical Sunset Boulevard, and was a contestant on the Australian television programme Dancing with the Stars. The two perform the duet "Wichita Lineman" on Double Happiness. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Tin Can Radio is a truly exciting up-and-coming Brisbane based band. Their infectious flavour of synth-driven indie dance music infuses the heavy rhythms of drum ‘n bass, discopunk and breakbeats to their unique soulful melodic stylings. Moving through genres like sands through the hourglass: Electro, Dubstep, Soul-Reggae Grooves… These are the days of our Tin Can Radio. Combining this with their high energy stage show, a Tin Can Radio live performance is a MUST SEE for anyone on a night out, from the most overzealous groovers to the chilled, head-nodding wall-flowers.
Vika and Linda Bull are a sister vocal duo who came to prominence after being asked to sing backing vocals in Joe Camilleri's band The Black Sorrows.
Chocolate Strings have been described as one of Brisbane’s finest purveyors of grooved out dub. Their soulful tracks and bangin' party tunes have captured the attention of people from many. A range of diverse backgrounds and influences give them a smorgasbord of sounds, a veritable buffet of fresh beats, bass and acoustic grooves to please the most discerning appetite. From the rich deep Polynesian vocal harmonies of female vocalists Ofa Fanaika...
Forming in February 2011, The Rubens are a four piece blues and soul band from a small town south of Sydney. Taking influences from The Black Keys, The Rolling Stones and the Jimi Hendrix Experience among others, the band consists of three brothers and a childhood friend. Over time the band has evolved from their blues roots and have shifted their sound firmly into indie rock.
Members include Zaac Margin on lead guitar, Elliott Margin on keys/vocals, Sam Margin on guitar/vocals and Scott Baldwin on drums.
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Honestly I don't know how I sound the way I do - My ears are always switched on searching for cool and unusual sounds. I hear them in the hustle and bustle of city streets, building sites, cafes, and playgrounds. I have a vivid imagination, and can tune out and step right into a dream, at the drop of a hat. My friends think that my head is in the clouds and my producer Jonathan Zion thinks there is no doubt about it. This doesn't bother me at all, it's how I write my songs. It's very magical. I just sit at my piano, gaze out my window and dream.