noise | Musicosity

noise

Jonny Telafone

Steeped in the heartache and boredom that can come with being heartbroken and bored Jonny Telafone's music does not fall easily into any sub-genre or scene. It's all pop music...Hit after hit

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Ruins

There are multiple artists with this name: a Japanese prog-rock duo, an Australian black-metal band, a German thrash-metal band, a new wave band, a Canadian ska band, and a Chinese rock band. 1) Ruins is a bass-&-drum duo that formed in Tokyo, Japan, in 1985. They are usually pigeonholed into the category of prog rock. The only constant member of Ruins is the drummer/vocalist Tatsuya Yoshida (吉田達也, Yoshida Tatsuya), who has cycled through four different bassists since the band’s inception.

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Deerhoof

Deerhoof is an American independent music group formed in San Francisco in 1994. While it began as an improvisational bass/harmonica solo project of Rob Fisk (subsequently in 7 Year Rabbit Cycle, Common Eider, King Eider), it currently consists of founding drummer Greg Saunier, bassist and singer Satomi Matsuzaki, and guitarists John Dieterich and Ed Rodriguez. Initially performing improvised noise punk, Deerhoof became widely renowned and influential in the 2000s through self-produced creative output combining "noise, sugary [pop] melodies, and an experimental spirit into utterly distinctive music". They have released a dozen or more studio albums since 1997; their album "Mountain Moves" was released in September 2017.

Pitchfork labeled Deerhoof as "the best band in the world.” The New York Times described them as “one of the most original rock bands to have come along in the last decade.” From their humble beginnings as an obscure San Francisco noise act, they've become one of indie music's most influential bands with their ecstatic and unruly take on pop.

http://www.deerhoof.net
http://www.polyvinylrecords.com/deerhoof Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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The Postures

since forming in mid 2006, the postures quickly marked out their own unique sonic territories. the line-up of michael (guitar, primary hollering, baritone guitar), michael (drums, bass), and jeremy (guitar, synth, auxillary hollering, drums) have an anything-goes approach to song writing, incorporating elements of post-rock, metal, disco, kraut-rock, doom, punk, and no-wave, with lyrical inspiration drawn from disparate subjects such as the nature of insanity, the edge of the known universe, the apocalypse, and charleton heston.

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