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synth

Backlash

There are more than one band with the name Backlash. 1) Formed in Lidkoping, Sweden in 1998 by three talented young men, Backlash now (2k6-08) two albums and a few Eps later stands at the frontier of Swedish electronic music. The combination of Niklas' sensitive compositions, Oskar's battering sound engineering and Erik's brute force of singing creates a new hard electronic sound that few others has manage to create. Music in the borderlands of minimalistic techno and electro-pop.

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Ladyhawke

Phillipa 'Pip' Brown (born in 1982, Masterton, Wairarapa, New Zealand), better known by her stage name Ladyhawke, is a solo singer-songwriter and multi-instrumentalist, playing all the instruments in studio and touring with a band. Her musical style blends new wave, indie rock and electropop. Born with Asperger's Syndrome, Pip was a music-obsessed child with very musical parents (step-father a drummer, mother a singer). She is noted as being influenced by 70s and 80s music. While attending Chanel College, she played in several grunge bands.

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Mark Barrage

Mark Barrage is the moniker adopted by Melbourne-based sound maker Mark Gomes, formerly known as Barrage (for all recordings released prior to his sophomore album 'Delays', released by Mistletone Records in November 2008.

(Mark) Barrage's sound is that of obfuscated, broken electronica - blunted samples and bent, buzzing synths playing against one another between the walls of his out-pop compositions.

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The Night Terrors

Spawned from the festering miasma of the Melbourne underground scene, The Night Terrors' theremin-fueled electro-noise has been petrifying punters since the year 2000. The Terrors' formula of soaring theremin, thunderous metal-bass, breakneck drumming and vintage horror synth has earnt them a reputation as one of Australia's most unusual and original bands. Featuring a completely instrumental lineup...

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Jakwob

James Jacob AKA 'Jakwob' has seen his nascent career take off in the last few months. First coming to acclaim via some major appreciation in the blog world for his bootleg of Ellie Goulding's 'Starry Eyed' and bolstering such support with his remix of 'Under The Sheets' he's since gone on to remix the likes of Empire Of The Sun, Temper Trap and Penguin Prison and has remixes forthcoming for the likes of Audio Bullies, Dan le Sac Vs Scroobius Pip and I Blame Coco.

Paul Heslin

Paul Heslin was raised in the capital city of Australia in a dark well of hyper-christian homeschooling, before peeling the layers off and beginning to grapple with the world of electronic sound. In 2008, after completing a university degree in digital sound and composition, he vanished overseas to England and France for an extensive period of musical development, returning to Australia in late 2010 with a spiky melange of facial hair and the transformative rubbernecker ep.

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Luke Million

Luke Million is the synth wizard from Australia's premier disco act The Swiss. In between touring and studio sessions with The Swiss, writing music for television and film and giving classical piano recitals; Luke has found time to whip up some disco delights in the form of a solo project. In 2010, Luke via Australian label Future Classic brought us his debut EP Italo Journey / Octobussy, which was a synthesizer odyssey paying homage to his influences.

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Fitz & the Tantrums

Fitz & the Tantrums are an American soul group from Los Angeles, California. The group was founded by Michael Fitzpatrick, who had begun writing soul music for a solo project on an old church organ he had purchased. He added friend James King to the group as an arranger and soon after expanded the band to a seven-piece, including several horns. Fitzpatrick shares the vocal duties with Noelle Scaggs. Other members include Joseph Karnes, Jeremy Ruzumna, and John Wicks.

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d'Eon

Halifax, Nova Scotia native Chris d'Eon, who performs under his last name only, has a passion for music that started at an early age - he began mixing together his own tracks when his parents bought him some synthesizers and a sequencer at age four. D’Eon’s musical interests expanded when he started college and began studying Iranian, Arabic and Turkish music. This interest took him to northern India, where he lived in a monastery and studied with a Tibetan musician who taught him to play the dranyen, or Tibetan lute.